The Spiritualization of Politics and the Technologies of Resistant Body: Conceptualizing Hunger Striking Subjectivity

Q1 Social Sciences Cultural Politics Pub Date : 2021-07-01 DOI:10.1215/17432197-8947893
Ashjan Ajour
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引用次数: 1

Abstract

Abstract:This article explores the body as a site of subjectivity production during a hunger strike in Occupied Palestine. It further explores the former political prisoners’ theory of subjectivity as it emerges through their praxis and philosophy of freedom. Although the body is the principal tool that the hunger strikers use, they don’t consider it the decisive factor in attaining their goal. For that they build on the immaterial strength that develops with the deterioration of the body and from which they construct the concept of rouh (soul). This is expressed through the formation of contradictory binaries: body versus soul and body versus mind. The article shows that the hunger strike not only is a political strategy for liberation; it also moves into a spiritualization of the struggle. It uses and problematizes Foucault’s “technologies of the self” to theorize the specific formation of subjectivity in the Palestinian hunger strike under colonial conditions, and it contributes to theories of subjectivation. The hunger strikers, in their interaction with the dispossession of the colonial power, invent technologies of resistance to transcend the colonial and carceral constraints on their freedom and create the capacity for the transformation from a submissive subject to a resistant one.
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政治的精神化与反抗体的技术——对绝食主体性的概念化
摘要:本文探讨了在巴勒斯坦被占领地区的绝食抗议中,身体作为主体性生产的场所。本文进一步探讨了前政治犯的主体性理论在他们的实践和自由哲学中所体现出来的情况。虽然身体是绝食者使用的主要工具,但他们并不认为它是达到目标的决定性因素。因为他们建立在非物质的力量上,这种力量随着身体的退化而发展,并以此为基础构建了粗糙(灵魂)的概念。这是通过形成矛盾的二元关系来表达的:身体对灵魂,身体对精神。绝食既是一种争取解放的政治策略;它也进入了斗争的精神化。它运用并质疑福柯的“自我技术”来理论化殖民条件下巴勒斯坦绝食抗议中主体性的具体形成,并为主体化理论做出贡献。绝食者在与剥夺殖民权力的互动中,发明了反抗的技术,超越了殖民和专制对他们自由的限制,创造了从顺从主体向反抗主体转变的能力。
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来源期刊
Cultural Politics
Cultural Politics Social Sciences-Cultural Studies
CiteScore
1.20
自引率
0.00%
发文量
19
期刊介绍: Cultural Politics is an international, refereed journal that explores the global character and effects of contemporary culture and politics. Cultural Politics explores precisely what is cultural about politics and what is political about culture. Publishing across the arts, humanities, and social sciences, the journal welcomes articles from different political positions, cultural approaches, and geographical locations. Cultural Politics publishes work that analyzes how cultural identities, agencies and actors, political issues and conflicts, and global media are linked, characterized, examined, and resolved. In so doing, the journal supports the innovative study of established, embryonic, marginalized, or unexplored regions of cultural politics. Cultural Politics, while embodying the interdisciplinary coverage and discursive critical spirit of contemporary cultural studies, emphasizes how cultural theories and practices intersect with and elucidate analyses of political power. The journal invites articles on representation and visual culture; modernism and postmodernism; media, film, and communications; popular and elite art forms; the politics of production and consumption; language; ethics and religion; desire and psychoanalysis; art and aesthetics; the culture industry; technologies; academics and the academy; cities, architecture, and the spatial; global capitalism; Marxism; value and ideology; the military, weaponry, and war; power, authority, and institutions; global governance and democracy; political parties and social movements; human rights; community and cosmopolitanism; transnational activism and change; the global public sphere; the body; identity and performance; heterosexual, transsexual, lesbian, and gay sexualities; race, blackness, whiteness, and ethnicity; the social inequalities of the global and the local; patriarchy, feminism, and gender studies; postcolonialism; and political activism.
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