Hazard Adams, Blake’s Margins: An Interpretive Study of the Annotations

Q3 Arts and Humanities Blake - An Illustrated Quarterly Pub Date : 2022-09-04 DOI:10.47761/biq.81
Alexander S. Gourlay
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Abstract

Hazard Adams modestly introduces Blake’s Margins by describing it as “less for scholars … than for people who want to know more about Blake’s thought … and for students in the early stages of study of his work” (3). Beginners will find most of this eminently sensible and learned book edifying, but in fact there are very few Blake scholars anywhere who would not benefit from reading it straight through. In some ways, Blake’s annotations are among the least ironic of his writings, but every Blakean marginalium is a tail that wags a very substantial dog: we can’t really understand a given one without attending to the interplay with the full annotated text and with the broader contexts that contributed to Blake’s response. Since even the best Blake editions inevitably misrepresent the marginalia by supplementing them with (at most) snippets of the annotated texts, many of which are unfamiliar and/or out of print, it would be a good thing if Blakists were in the habit of reviewing the relevant chapter in Adams before quoting anything written in a margin. Of course it would be even better if we all reread, say, the last third of Berkeley’s Siris with care before repeating “God is not a Mathematical Diagram,” but if that is not to happen, Adams’s judicious summaries will help us much more with the nuances of that declaration than, for instance, the two barely relevant sentences from Berkeley quoted by David Erdman in his edition (E 664).
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哈扎德·亚当斯:《布莱克的页边距:注释的阐释研究》
哈扎德·亚当斯谦虚地介绍布莱克的《边际》,将其描述为“与其说是为学者……不如说是为那些想要更多地了解布莱克思想的人……以及研究他作品的早期阶段的学生”(3)。初学者会发现这本书的大部分内容都是非常明智和有学问的,但事实上,很少有布莱克学者不会从从头到尾的阅读中受益。在某些方面,布莱克的注释是他的作品中最不具讽刺意味的,但布莱克的每一个注释都是一条摇着一条非常重要的狗的尾巴:如果不注意与完整注释文本的相互作用,以及与促成布莱克回应的更广泛背景的相互作用,我们就无法真正理解一个给定的注释。因为即使是最好的布莱克版本,也不可避免地会通过补充(最多)注释文本的片段来歪曲旁注,其中许多是不熟悉的和/或绝版的,如果布莱克主义者在引用任何写在旁注中的内容之前习惯回顾亚当斯的相关章节,那将是一件好事。当然,如果我们在重复“上帝不是数学图表”之前都仔细重读一下伯克利的《预言家》的最后三分之一,那就更好了,但如果不这样做,亚当斯明智的总结将比大卫·厄德曼在他的版本(E 664)中引用的伯克利的两句几乎不相关的句子更能帮助我们理解这一宣言的细微差别。
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Blake - An Illustrated Quarterly
Blake - An Illustrated Quarterly Arts and Humanities-Literature and Literary Theory
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期刊介绍: Blake/An Illustrated Quarterly was born as the Blake Newsletter on a mimeograph machine at the University of California, Berkeley in 1967. Edited by Morton D. Paley, the first issue ran to nine pages, was available for a yearly subscription rate of two dollars for four issues, and included the fateful words, "As far as editorial policy is concerned, I think the Newsletter should be just that—not an incipient journal." The production office of the Newsletter relocated to the University of New Mexico when Morris Eaves became co-editor in 1970, and then moved with him in 1986 to its present home at the University of Rochester.
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Cover and table of contents A Conversation with Helen Bruder Redefining Apocalypse in Blake Studies William Blake’s Annotations to Milton’s<br> <i>Paradise Lost</i>: New Evidence for Attribution William Blake’s “Introduction” to <i>Songs of Innocence</i>: The Role of the Pipe
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