Inclusion happens with a puppet: puppets for inclusive practice in early childhood settings

Olivia Karaolis
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引用次数: 3

Abstract

ABSTRACT The early childhood sector supports the realisation of inclusive education through a range of recommendations, policy statements and resources. With such a clearly mandated movement for inclusive practice it is imperative that educators are equipped with the attitudes, knowledge, and skills necessary to ensure the full participation of all children. Despite this understanding, a discrepancy exists between the recommendations and the confidence or capacity of early childhood professionals to realise inclusion with authenticity. This paper highlights findings from my PhD research that showed how early childhood professionals and drama educators working with young children can apply the creative arts for inclusive practice. Drawing upon the methodology of portraiture, a series of vignettes illustrate how drama, puppetry, and movement can be applied to address barriers to authentic inclusion in early childhood contexts and create a culture that embraces all children.
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包容发生在木偶身上:在幼儿环境中进行包容实践的木偶
幼儿教育部门通过一系列建议、政策声明和资源支持全纳教育的实现。有了这样一个明确授权的包容性实践运动,教育工作者必须具备必要的态度、知识和技能,以确保所有儿童的充分参与。尽管有这样的理解,这些建议与幼儿专业人员实现真实包容的信心或能力之间存在差异。本文重点介绍了我的博士研究结果,该研究表明,幼儿专业人士和戏剧教育家如何与幼儿一起工作,可以将创造性艺术应用于包容性实践。借鉴肖像画的方法,一系列的小插图说明了戏剧、木偶戏和运动如何应用于解决早期儿童环境中真正包容的障碍,并创造一种包容所有儿童的文化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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