Linsay M. Cramer, Gabriel A. Cruz, Andrew R. Donofrio
{"title":"Perpetual and Pleasurable Marginality: White Masculine Victimhood Appropriation and Black Masculine Sacrifice in Marvel’s Netflix Series The Punisher","authors":"Linsay M. Cramer, Gabriel A. Cruz, Andrew R. Donofrio","doi":"10.1080/10646175.2022.2090032","DOIUrl":null,"url":null,"abstract":"Abstract Using Casey Ryan Kelly’s theorization of White masculine victimhood and Claire Sisco King’s conceptualization of abject hegemony, this manuscript rhetorically examines the 2017–2019 Netflix series, Marvel’s The Punisher, and its surrounding discourse. The analysis reveals an emotional-moral framework of White masculinity that thrives on and finds pleasure in an unending, inhumane, and cruel treatment of racial and gender Others, while investing in one’s own perpetual claims to victimization and disposability. Furthermore, abject constructions of White victimization and ressentiment subjugate and depend upon Black masculinity to sustain its abject hegemony, thereby extending current understandings of White masculine victimization and Black masculine subservience to whiteness in film and television.","PeriodicalId":45915,"journal":{"name":"Howard Journal of Communications","volume":"52 1","pages":"59 - 75"},"PeriodicalIF":0.8000,"publicationDate":"2022-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Howard Journal of Communications","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10646175.2022.2090032","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 2
Abstract
Abstract Using Casey Ryan Kelly’s theorization of White masculine victimhood and Claire Sisco King’s conceptualization of abject hegemony, this manuscript rhetorically examines the 2017–2019 Netflix series, Marvel’s The Punisher, and its surrounding discourse. The analysis reveals an emotional-moral framework of White masculinity that thrives on and finds pleasure in an unending, inhumane, and cruel treatment of racial and gender Others, while investing in one’s own perpetual claims to victimization and disposability. Furthermore, abject constructions of White victimization and ressentiment subjugate and depend upon Black masculinity to sustain its abject hegemony, thereby extending current understandings of White masculine victimization and Black masculine subservience to whiteness in film and television.
期刊介绍：
Culture, ethnicity, and gender influence multicultural organizations, mass media portrayals, interpersonal interaction, development campaigns, and rhetoric. Dealing with these issues, The Howard Journal of Communications, is a quarterly that examines ethnicity, gender, and culture as domestic and international communication concerns. No other scholarly journal focuses exclusively on cultural issues in communication research. Moreover, few communication journals employ such a wide variety of methodologies. Since issues of multiculturalism, multiethnicity and gender often call forth messages from persons who otherwise would be silenced, traditional methods of inquiry are supplemented by post-positivist inquiry to give voice to those who otherwise might not be heard.
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