Calculating for creativity: Maths joins the circus

Q4 Social Sciences Waikato Journal of Education Pub Date : 2020-11-24 DOI:10.15663/wje.v25i0.717
C. Coleman, T. Lind
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引用次数: 0

Abstract

Following recent increases in the diversity of students, technologies, pedagogies and environments, New Zealand classrooms are sites of growing complexity. Tasked with covering a broad range of disciplines within each school day, opportunities for subject integration are of increasing value to busy teachers. Developing upon a previous piece of research (Coleman & Davies, 2018), this project sought to gain student engagement in mathematics through a dramatic framework. A key factor in developing adaptable, responsive and capable learners, creativity is an area of intense educational interest and yet substantial confusion (Jefferson & Anderson, 2017). Focusing upon the activation of students’ creative capacities through drama, this project offers suggestions for future praxis and the development of classrooms that invite creativity. We began by establishing a fictional pre-text closely related to their earlier studies of insects. Recruited to assist Professor Lee—a flea circus owner, with the redesign of her circus, this pretext deliberately offered opportunities for mathematics integration. When planning we predicted the need for students to engage with numbers and measurement, yet remained responsive to opportunities arising from the drama or instigated by the students themselves. Over the five drama-maths sessions, we collaborated with students both in and out of role, to design, plan and prepare a new cockroach circus extravaganza. We generated data for the research through reflective journal entries, student work, drama based research and focus groups. Our findings indicate an enthusiasm for the use of drama to engage students and make mathematics meaningful and highlight the vital elements for collaboration and creativity. Three distinct elements appear crucial to engaging in an effective drama-maths unit: a sense of unity in pursuing a common goal, the value of the affective and embodied elements associated with drama, and cultivation of skills for collaboration. While this project bolsters existing rhetoric surrounding STEAM integration, it advocates for further development around existing notions of collaboration for 21st century learning.
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为创造力而计算:数学加入了马戏团
随着近年来学生、技术、教学方法和环境的多样性的增加,新西兰的教室越来越复杂。任务是在每个上学日涵盖广泛的学科,学科整合的机会对忙碌的教师来说越来越有价值。在之前的一项研究(Coleman & Davies, 2018)的基础上,该项目试图通过一个戏剧性的框架来获得学生对数学的参与。创造力是培养适应性强、反应灵敏、能力强的学习者的一个关键因素,它是一个具有强烈教育兴趣的领域,但也存在很大的困惑(Jefferson & Anderson, 2017)。该项目着眼于通过戏剧激活学生的创造能力,为未来的实践和激发创造力的课堂发展提供建议。我们首先建立了一个虚构的前文,与他们早期对昆虫的研究密切相关。为了协助跳蚤马戏团老板李教授重新设计她的马戏团,这个借口故意提供了数学整合的机会。在计划时,我们预测学生需要参与数字和测量,但仍然对戏剧产生的机会或由学生自己发起的机会做出反应。在五节戏剧数学课上,我们与角色内外的学生合作,设计、策划和准备了一场新的蟑螂马戏团表演。我们通过反思日志条目、学生作业、基于戏剧的研究和焦点小组为研究生成数据。我们的研究结果表明,学生们热衷于用戏剧来吸引学生,使数学变得有意义,并强调合作和创造力的重要因素。在戏剧数学单元中,有三个不同的要素显得至关重要:追求共同目标的团结意识,与戏剧相关的情感和具体要素的价值,以及合作技能的培养。虽然该项目支持围绕STEAM集成的现有言论,但它主张围绕21世纪学习的现有协作概念进一步发展。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Waikato Journal of Education
Waikato Journal of Education Social Sciences-Education
CiteScore
1.00
自引率
0.00%
发文量
29
审稿时长
20 weeks
期刊最新文献
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