The significance of typography in the linguistic landscape of the 1960s and 1970s Hippie vs. Punk

IF 0.2 N/A LANGUAGE & LINGUISTICS Jordan Journal of Modern Languages & Literature Pub Date : 2021-07-31 DOI:10.22452/jml.vol31no1.5
P. Coluzzi
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Abstract

This article looks at the use of letterings and typefaces in the linguistic landscape through a comparison of hippie and punk concert posters. After a general introduction, some definitions and an overview on the hippie and punk movements and the posters they produced, the article introduces the methodology employed, which consisted of both an analysis of the lettering used in hippie and punk posters and a survey carried out among a sample of students at Universiti Malaya (Kuala Lumpur). This is followed by an analysis and a discussion of the data, which have led to two main findings: not only were the antithetical ideas behind these two youth movements portrayed through the specific lettering and fonts used, but the latter feature specific traits that may be linked to our mental processes and possibly our limbic system, the most primordial part of our brain.
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排版在20世纪60年代和70年代的语言学格局中的意义嬉皮士vs朋克
本文通过对嬉皮士和朋克音乐会海报的比较,来研究语言景观中字母和字体的使用。在对嬉皮士和朋克运动及其制作的海报进行一般性介绍,一些定义和概述之后,文章介绍了所采用的方法,其中包括对嬉皮士和朋克海报中使用的字母的分析以及在马来亚大学(吉隆坡)的学生样本中进行的调查。接下来是对数据的分析和讨论,这导致了两个主要发现:不仅这两个青年运动背后的对立思想通过使用的特定字母和字体描绘出来,而且后者具有特定的特征,可能与我们的心理过程有关,也可能与我们大脑中最原始的部分——边缘系统有关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.50
自引率
50.00%
发文量
42
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