Other Lullabies: Attacks on Blackness, Confusion of Tongues, and the Loss of Play

C. Padrón
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引用次数: 1

Abstract

ABSTRACT Through a close reading of an anonymous lullaby from Latin America, the paper argues how colonial legacies and systemic racism, in the context of the structure of whiteness and the Covid pandemic, have had a nefarious impact on the material, symbolic, and psychic life of poor and working-class children and adolescents of color. The paper places a focus on Black kids. Left outside the symbolic, material, and legal order, these individuals suffer systemic attacks against their body and mind. This fact, in tandem with the devastating realities of the pandemic, have produced what the author calls an experience of “the end of the world.” Three main consequences of all these configurations are discussed: (1) failed identifications with whiteness; (2) loss of play; and (3) “confusion of tongues.” The need for new social lullabies, ones that invigorate our social capacity to dream the (colonial) state of affairs as being otherwise and that create communal solidarity, is proposed.
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其他摇篮曲:攻击黑暗,语言混乱,失去游戏
通过仔细阅读一首来自拉丁美洲的无名摇篮曲,本文论述了在白人结构和新冠疫情的背景下,殖民遗产和系统性种族主义如何对贫困和工人阶级有色人种儿童和青少年的物质、象征和精神生活产生了恶劣影响。这份报纸把重点放在了黑人孩子身上。这些人被排除在象征、物质和法律秩序之外,他们的身体和精神遭受了系统性的攻击。这一事实,再加上疫情带来的毁灭性现实,产生了作者所说的“世界末日”体验。讨论了所有这些配置的三个主要后果:(1)白度识别失败;(2)失去游戏;(3)“说方言”。有人提出,需要新的社会摇篮曲,这些摇篮曲可以激发我们的社会能力,让我们梦想(殖民)事务的状态不是这样,并创造社区团结。
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来源期刊
CiteScore
1.70
自引率
0.00%
发文量
37
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