Intersections in Music Education: Implications of Universal Design for Learning, Culturally Responsive Education, and Trauma-Informed Education for P–12 Praxis

K. Salvador, Mara E. Culp
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引用次数: 4

Abstract

To increase equity in music education, teachers can strive to know each student as a whole child, proactively remove barriers to learning, and seek to honor students’ multifaceted and intersectional identities. In this article, we first define intersectionality and examine demographics in music education. Then, we summarize three asset-based pedagogical approaches (Universal Design for Learning, Culturally Responsive Education, and Trauma-Informed Education) and synthesize their similarities. Finally, we present implications in the form of generative ideas for music educator praxis, or values-guided action. We hope our suggestions help music educators create music experiences where students (and families) feel seen, safe, welcomed, and valued as musicians and people. We also hope our suggestions can contribute to music teacher collegiality and collaboration by providing educators with tools to develop positive relationships with colleagues who are different from themselves.
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音乐教育的交叉点:学习通用设计的含义,文化响应教育,以及P-12实践的创伤知情教育
为了增加音乐教育的公平性,教师可以努力了解每个学生作为一个完整的孩子,主动消除学习障碍,并寻求尊重学生的多面性和交叉性身份。在这篇文章中,我们首先定义了交集性,并研究了音乐教育中的人口统计学。然后,我们总结了三种基于资产的教学方法(通用学习设计、文化响应教育和创伤知情教育),并综合了它们的相似之处。最后,我们以生成思想的形式为音乐教育者的实践或价值导向的行动提供启示。我们希望我们的建议可以帮助音乐教育者创造音乐体验,让学生(和家庭)感到自己是音乐家和有价值的人。我们也希望我们的建议可以为音乐教师提供工具,帮助他们与与自己不同的同事建立积极的关系,从而促进音乐教师的合作与合作。
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