Exploring the Music Perception Skills of Crowd Workers

I. P. Samiotis, S. Qiu, C. Lofi, Jie Yang, U. Gadiraju, A. Bozzon
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引用次数: 5

Abstract

Music content annotation campaigns are common on paid crowdsourcing platforms. Crowd workers are expected to annotate complicated music artefacts, which can demand certain skills and expertise. Traditional methods of participant selection are not designed to capture these kind of domain-specific skills and expertise, and often domain-specific questions fall under the general demographics category. Despite the popularity of such tasks, there is a general lack of deeper understanding of the distribution of musical properties - especially auditory perception skills - among workers. To address this knowledge gap, we conducted a user study (N=100) on Prolific. We asked workers to indicate their musical sophistication through a questionnaire and assessed their music perception skills through an audio-based skill test. The goal of this work is to better understand the extent to which crowd workers possess higher perceptions skills, beyond their own musical education level and self reported abilities. Our study shows that untrained crowd workers can possess high perception skills on the music elements of melody, tuning, accent and tempo; skills that can be useful in a plethora of annotation tasks in the music domain.
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群体工作者的音乐感知能力探讨
音乐内容注释活动在付费众包平台上很常见。大众工作者需要对复杂的音乐作品进行注释,这需要一定的技能和专业知识。传统的参与者选择方法并不是为了捕获这些特定领域的技能和专业知识而设计的,并且通常特定领域的问题属于一般的人口统计类别。尽管这类任务很受欢迎,但人们普遍缺乏对音乐属性分布的深入了解,尤其是听觉感知技能。为了解决这一知识差距,我们对多产进行了一项用户研究(N=100)。我们要求员工通过问卷来表明他们的音乐水平,并通过基于音频的技能测试来评估他们的音乐感知能力。这项工作的目的是为了更好地了解人群工作者在他们自己的音乐教育水平和自我报告的能力之外拥有更高感知技能的程度。研究表明,未经训练的人群工作者对旋律、调音、重音、节奏等音乐要素具有较高的感知能力;在音乐领域的大量注释任务中有用的技能。
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