NEŞET GÜNAL’IN TOPLUMSAL GERÇEKÇİ RESİMLERİ ÜZERİNDEN EMEKÇİ KADIN FİGÜRLERİ

S. Aksu
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Abstract

An artist, as a part of society which s/he lives cannot ignore the event around him/her and uses his/her observations, thoughts sometimes as a reaction and sometimes to enlighten the community and to reveal circumstances. The artists with the view of social-realism, which has been arisen in 19 th and 20 th centuries in the world, aim to reveal realistically society’s sorrow, poverty, grief , shortly, all facts related to the society. In accordance with this purpose, man and woman figures have became a tool frequently used by social-realists. Woman, as a social being, has struggled on existing in the society which she lives, making herself accepted, appearing all fields of business life, standing for her rights and also, has tried to put the figure of working female near working male figure. Within this work after handling the rising of view of social-relism in Turkey, it is examined the studies of Neşet GÜNAL, who produced works via this point of view, and it
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艺术家,作为社会的一部分,他/她不能忽视他/她周围的事件,并使用他/她的观察,思想,有时作为一种反应,有时启发社会,揭示环境。19、20世纪在世界范围内兴起的社会现实主义艺术家,其目的是真实地揭示社会的悲哀、贫穷、悲伤,简言之,与社会有关的一切事实。根据这一目的,男女形象已成为社会现实主义者经常使用的工具。女性作为一种社会存在,在她所处的社会中挣扎着生存,使自己被接受,出现在商业生活的各个领域,维护自己的权利,并试图将职业女性的形象接近职业男性的形象。在处理了土耳其社会现实主义观点的兴起之后,本文考察了ne GÜNAL的研究,他通过这一观点创作了作品,并对其进行了研究
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