Comics in the Anthropocene: Graphic Narratives of Apocalypse, Regeneration and Warning

IF 0.2 0 LITERARY THEORY & CRITICISM Text Matters-A Journal of Literature Theory and Culture Pub Date : 2022-11-24 DOI:10.18778/2083-2931.12.03
Małgorzata Olsza
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引用次数: 1

Abstract

Narratives of the Anthropocene function in the realm of not only scientific but also popular discourses. Indeed, the most popular narratives of the Anthropocene, namely the story of the apocalypse and the story of progress, with their respective temporalities, are particularly well-represented in comics. The present article looks at the Anthropocene through the lenses of word and image, tracing the response of the medium of comics to the ongoing catastrophe, including Joe Sacco’s Paying the Land (2020), Scott Snyder and Yanick Paquette’s modern take on Swamp Thing (2019) and Richard McGuire’s Here (2014). Paying the Land is a story of the Dene people and their response to the Anthropocene. Drawing on the opposition between nature and progress, it examines whether empathy can stop capitalistic exploitation of Indigenous communities and the land which they cherish. Swamp Thing, seemingly a narrative of environmental apocalypse, also functions as a story of ecological reconciliation and regeneration. Finally, Here builds on and deconstructs the narrative of progress, demonstrating how a specific location has and will be transformed from 3,000,500,000 BCE to 22,175 CE, offering the reader/viewer a non-chronological look at environmental changes. Apart from the visions of the now and the future that these graphic narratives present, temporality coded in their “grammar” (layout, panels and gutters) is also discussed.
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人类世的漫画:启示录、重生和警告的图形叙事
人类世的叙事不仅在科学领域发挥作用,而且在大众话语领域发挥作用。事实上,人类世最流行的叙事,即天启的故事和进步的故事,以及它们各自的时间性,在漫画中得到了很好的体现。本文通过文字和图像的镜头来看待人类世,追踪漫画媒介对正在发生的灾难的反应,包括乔·萨科的《支付土地》(2020),斯科特·斯奈德和亚尼克·帕奎特对《沼泽之物》(2019)的现代诠释,以及理查德·麦奎尔的《在这里》(2014)。支付土地是Dene人的故事和他们对人类世的反应。利用自然与进步之间的对立,它探讨了同理心是否可以阻止资本主义对土著社区和他们所珍惜的土地的剥削。《沼泽之物》看似是环境启示录的叙事,其实也是一个生态和解与再生的故事。最后,Here建立并解构了进步的叙述,展示了一个特定的地点如何从公元前3,000,500,000年转变为公元前22,175年,为读者/观众提供了一个非按时间顺序的环境变化。除了这些图形叙述所呈现的现在和未来的愿景之外,还讨论了其“语法”(布局,面板和排水沟)编码的时间性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
0
审稿时长
23 weeks
期刊介绍: Text Matters: A Journal of Literature, Theory and Culture, based at the University of Łódź, is an international and interdisciplinary journal, which seeks to engage in contemporary debates in the humanities by inviting contributions from literary and cultural studies intersecting with literary theory, gender studies, history, philosophy, and religion. The journal focuses on textual realities, but contributions related to art, music, film and media studies addressing the text are also invited. Submissions in English should relate to the key issues delineated in calls for articles which will be placed on the website in advance. The journal also features reviews of recently published books, and interviews with writers and scholars eminent in the areas addressed in Text Matters. Responses to the articles are more than welcome so as to make the journal a forum of lively academic debate. Though Text Matters derives its identity from a particular region, central Poland in its geographic position between western and eastern Europe, its intercontinental advisory board of associate editors and internationally renowned scholars makes it possible to connect diverse interpretative perspectives stemming from culturally specific locations. Text Matters: A Journal of Literature, Theory and Culture is prepared by academics from the Institute of English Studies with considerable assistance from the Institute of Polish Studies and German Philology at the University of Łódź. The journal is printed by Łódź University Press with financial support from the Head of the Institute of English Studies. It is distributed electronically by Sciendo. Its digital version published by Sciendo is the version of record. Contributions to Text Matters are peer reviewed (double-blind review).
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