{"title":"Epic Futurity: The Phaeacians, Carthage, and the Tradition","authors":"D. Quint","doi":"10.1215/00104124-10160615","DOIUrl":null,"url":null,"abstract":"Contrary to the views of Hegelian critics, epic from its Homeric beginnings has projected a future time and future readers beyond its narrative frame. The genre does not close itself off in a heroic past. The episode of the Phaeacian banquet in the Odyssey places a utopian, technologically advanced and wealthy mercantile society side by side with its heroic world. The Phaeacians who listen to Odysseus’s wanderings and tales of Troy at their banquet figure a future, nonheroic audience for the poem itself. Subsequent imitations of this episode in major epics—the Aeneid, Orlando furioso, Os Lusíadas, Gerusalemme liberata, The Faerie Queene, Paradise Lost—measure a modern, critical distance, fed by science and a commercial economy, upon epic and its heroic values. The genre contains a historical dialectic of past and present from its outset.","PeriodicalId":45160,"journal":{"name":"COMPARATIVE LITERATURE","volume":"35 1","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"COMPARATIVE LITERATURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/00104124-10160615","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
Abstract
Contrary to the views of Hegelian critics, epic from its Homeric beginnings has projected a future time and future readers beyond its narrative frame. The genre does not close itself off in a heroic past. The episode of the Phaeacian banquet in the Odyssey places a utopian, technologically advanced and wealthy mercantile society side by side with its heroic world. The Phaeacians who listen to Odysseus’s wanderings and tales of Troy at their banquet figure a future, nonheroic audience for the poem itself. Subsequent imitations of this episode in major epics—the Aeneid, Orlando furioso, Os Lusíadas, Gerusalemme liberata, The Faerie Queene, Paradise Lost—measure a modern, critical distance, fed by science and a commercial economy, upon epic and its heroic values. The genre contains a historical dialectic of past and present from its outset.
期刊介绍：
The oldest journal in its field in the United States, Comparative Literature explores issues in literary history and theory. Drawing on a variety of theoretical and critical approaches, the journal represents a wide-ranging look at the intersections of national literatures, global literary trends, and theoretical discourse. Continually evolving since its inception in 1949, the journal remains a source for cutting-edge scholarship and prides itself on presenting the work of talented young scholars breaking new ground in the field.
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