{"title":"Stained Glass: An Afterword","authors":"Isobel Armstrong","doi":"10.16995/ntn.3014","DOIUrl":null,"url":null,"abstract":"In the afterword to this issue, Isobel Armstrong reflects on a phenomenology of nineteenth-century stained glass.","PeriodicalId":90082,"journal":{"name":"19 : interdisciplinary studies in the long nineteenth century","volume":"6 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2020-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"19 : interdisciplinary studies in the long nineteenth century","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.16995/ntn.3014","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
In the afterword to this issue, Isobel Armstrong reflects on a phenomenology of nineteenth-century stained glass.
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