Enclosure for Escape: Baudelaire’s Claustrophilia in “La Chevelure”

MLN bulletin Pub Date : 2022-01-05 DOI:10.1353/mln.2021.0069
Kathryn A. Haklin
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Abstract

Abstract:This article offers a close reading of Charles Baudelaire’s poem “La Chevelure” (Les Fleurs du Mal, 1857) through the lens of spatial enclosure. I contend that claustrophilia—a desire for confinement—finds expression in “La Chevelure” due to a constellation of structural, thematic, and phonetic elements, which subsequently forge a generative space for poetic creation. The operation of claustrophilia in this example reveals that, paradoxically, it is through captivity that escape becomes possible. This finding illuminates the spatial dimension of Baudelaire’s poetry, a compelling aspect that has been obscured by a scholarly preoccupation with time in his œuvre
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逃避的圈地:波德莱尔《小木屋》中的幽闭癖
摘要:本文通过空间圈闭的视角,对法国诗人波德莱尔的诗歌《La Chevelure》(Les Fleurs du Mal, 1857)进行细读。我认为,幽闭癖——一种对禁锢的渴望——在《La Chevelure》中得到了表达,这是由于一系列结构、主题和语音元素,这些元素随后为诗歌创作打造了一个生成空间。在这个例子中,幽闭癖的运作表明,矛盾的是,正是通过囚禁,逃脱才成为可能。这一发现阐明了波德莱尔诗歌的空间维度,这是一个引人注目的方面,被他œuvre中对时间的学术关注所掩盖
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