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Abstract

This document analyzes the link between teenagers at the end of the sixties and the cultural expression specifically of rock music in the following two decades, understanding this genre through the exchange of cultural goods, the social discourses that were able to generate from various categories, social practices, propagation of the sound itself and the influence of other musical genres. To this end, I will address a selection of texts that I believe have contributed to shaping them through the emphases and silences outlined in the study of this culture in Colombia, which imply a way of reading and interpreting based on historical data; the dynamics in which it will be studied proposes to draw new lines