How to Become Erasure Proof

IF 1 Q3 GEOGRAPHY Geohumanities Pub Date : 2021-08-24 DOI:10.1080/2373566x.2021.1960179
Amy Shimshon-Santo
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Abstract

“If we possess the land,” cultural activist Ben Caldwell said, “we can become erasure proof.” The essay reveals how BIPOC community arts spaces negotiate spatial sovereignty that fortify ecologies of culture and place. The work analyzes a culminating activity in a participatory action research process structured around the themes of land, story, memory, and leadership. The axis of the paper is an intergenerational conversation with cultural producers and arts administrators at Self Help Graphics & Art in the Latinx neighborhood of Boyle Heights, Kaos Network the African-American neighborhood of Leimert Park, and Visual Communications in the Asian Pacific Islander led neighborhood of Little Tokyo. The conversation is set in Los Angeles—a megalopolis on the Pacific Rim recognized globally for its creative and cultural production. “How to Become Erasure Proof” provides a robust conceptual framework, and highlights BIPOC strategies for community organizing that cherish culture and land. The discussion contributes to broader movements centering BIPOC imaginaries, creative flourishing, and organizing for spatial justice.
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如何防擦
“如果我们拥有这片土地,”文化活动家本·考德威尔(Ben Caldwell)说,“我们就能防止被擦除。”本文揭示了BIPOC社区艺术空间如何协商空间主权,巩固文化和地方生态。这项工作分析了参与性行动研究过程中围绕土地、故事、记忆和领导力主题的最终活动。本文的轴心是与文化制作人和艺术管理人员的代际对话,这些文化制作人和艺术管理人员分别来自Boyle Heights拉丁裔社区的Self - Help Graphics & Art, Leimert Park非洲裔社区的Kaos Network,以及小东京亚太岛民社区的视觉传播。对话发生在洛杉矶——一个环太平洋地区的大都市,以其创意和文化生产而闻名于世。“如何成为防擦除”提供了一个强大的概念框架,并强调了BIPOC社区组织珍惜文化和土地的战略。讨论有助于围绕BIPOC想象,创造性繁荣和空间正义组织的更广泛的运动。
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来源期刊
Geohumanities
Geohumanities GEOGRAPHY-
CiteScore
1.30
自引率
14.30%
发文量
22
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