Common Senselessness about the War: On Shaw's Media Delirium

IF 0.6 4区 文学 0 LITERATURE, BRITISH ISLES Shaw-The Journal of Bernard Shaw Studies Pub Date : 2020-05-29 DOI:10.5325/shaw.40.1.0036
Joshua Reeves
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引用次数: 1

Abstract

abstract:This article analyzes how biases in Shaw's media environment are reflected in his experiences and representations of the First World War. After turning to contemporary media theory to assess the ways in which war mediates the legibility of one's surroundings, this article discusses Shaw's critique of war delirium in "Common Sense about the War." After examining excerpts from "Joy Riding at the Front" and the preface of Heartbreak House—which diverge in interesting ways from "Common Sense"—this article concludes by offering some speculative insights into what Shaw's war ambivalence contributes to new media theory.
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关于战争的常识:论萧伯纳的媒体谵妄
本文分析了萧伯纳的媒体环境中的偏见是如何反映在他对第一次世界大战的经历和表现中。在转向当代媒体理论来评估战争如何调解人们对周围环境的易读性之后,本文讨论了萧伯纳在《关于战争的常识》中对战争谵妄的批评。在研究了《欢乐驰骋在前线》和《心碎屋》序言的节选之后——它们与《常识》有一些有趣的不同——本文的结论是对萧伯纳的战争矛盾心理对新媒体理论的贡献提供一些推测性的见解。
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
34
期刊最新文献
INTERNATIONAL SHAW SOCIETY Shaw in America (Bernard Shaw on the American Stage: A Chronicle of Premieres and Notable Revivals) Unions, Strikes, Shaw (Unions, Strikes, Shaw: “The Capitalism of the Proletariat.”) "Whole Play Complete, Only Waiting to Be Filled Out": The Postmodern Hybrid of Why She Would Not by Bernard Shaw and Lionel Britton Operatic Adaptations of Shaw's Plays The Devil's Disciple and The Music Cure
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