{"title":"The Postcolonial African Genocide Novel: Quests for Meaningfulness, by Chigbo Arthur Anyaduba","authors":"O. Salawu","doi":"10.1080/10131752.2022.2066398","DOIUrl":null,"url":null,"abstract":"Two key events of a highly destructive nature that continue to instruct the literary imagination in postcolonial Africa are the civil war that occurred between the government of Nigeria and the Republic of Biafra (1966–1970) and the Rwandan genocide (1990–1994). In literary works and other artistic enterprises, such as films, these events continue to animate responses that are aimed at reconstruction projects and guided by visions of reconciliation. The problem is that the aftermath of mass atrocities is also a site logged with the complications of representational practice. This is the crucial task Chigbo Arthur Anyaduba takes on in The Postcolonial African Genocide Novel. There are politics, biases, and ideologies that evolve from such an embarkation. In order to make genocide thinkable, more limitations arise for us to deal with in the African literary field.","PeriodicalId":41471,"journal":{"name":"English Academy Review-Southern African Journal of English Studies","volume":"18 1","pages":"134 - 137"},"PeriodicalIF":0.4000,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"English Academy Review-Southern African Journal of English Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10131752.2022.2066398","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
引用次数: 0
Abstract
Two key events of a highly destructive nature that continue to instruct the literary imagination in postcolonial Africa are the civil war that occurred between the government of Nigeria and the Republic of Biafra (1966–1970) and the Rwandan genocide (1990–1994). In literary works and other artistic enterprises, such as films, these events continue to animate responses that are aimed at reconstruction projects and guided by visions of reconciliation. The problem is that the aftermath of mass atrocities is also a site logged with the complications of representational practice. This is the crucial task Chigbo Arthur Anyaduba takes on in The Postcolonial African Genocide Novel. There are politics, biases, and ideologies that evolve from such an embarkation. In order to make genocide thinkable, more limitations arise for us to deal with in the African literary field.
两个具有高度破坏性的关键事件继续指导着后殖民时期非洲的文学想象力,这两个事件是尼日利亚政府和比夫拉共和国之间发生的内战(1966-1970)和卢旺达种族灭绝(1990-1994)。在文学作品和其他艺术事业,例如电影中,这些事件继续激起以重建项目为目标并以和解愿景为指导的反应。问题是,大规模暴行的后果也是一个记录着代表性实践复杂性的网站。这是Chigbo Arthur Anyaduba在《后殖民非洲种族灭绝小说》中承担的关键任务。有政治、偏见和意识形态从这样的出发演变而来。为了使种族灭绝变得可以想象,我们在非洲文学领域需要处理更多的限制。
期刊介绍:
The English Academy Review: A Journal of English Studies (EAR) is the journal of the English Academy of Southern Africa. In line with the Academy’s vision of promoting effective English as a vital resource and of respecting Africa’s diverse linguistic ecology, it welcomes submissions on language as well as educational, philosophical and literary topics from Southern Africa and across the globe. In addition to refereed academic articles, it publishes creative writing and book reviews of significant new publications as well as lectures and proceedings. EAR is an accredited journal that is published biannually by Unisa Press (South Africa) and Taylor & Francis. Its editorial policy is governed by the Council of the English Academy of Southern Africa who also appoint the Editor-in-Chief for a three-year term of office. Guest editors are appointed from time to time on an ad hoc basis.