Chaos and Order: Contemporary Cosmology and Myth

M. Tomasevic
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Abstract

The paper offers a definition of cosmology and its connections with mythology, and presents contemporary theories as a secular mythical narrative suitable for anthropological analysis. The paper is dedicated to emphasizing the folklore characteristics of modern cosmology and points to the importance of popular cosmological narratives as reading that contains culturally, philosophically and even religiously relevant elements. Special attention is paid to cosmogonic myths that describe the state of the universe before the creation of space and time. A parallel has been drawn between modern cosmology and conventional cosmogonic myths. In the end, the paper offers a concise definition of popular cosmology and recalls the most important authors and popularizers of modern theories. The main task of the paper is to present the basic concepts that can contribute to a complete understanding of the anthropological character of the presentation of contemporary cosmology that we encounter in popular narratives. The aim of such an analysis is to observe the depth of the significance of modern science for creating a philosophical picture of the world that inherits secular worldviews. By treating popular cosmology as a modern myth, the paper presents a new dimension of the significance of scientific theories for today's civilization. Such an approach unravels the strictly positivist halo of cosmology and points to its anthropological character. The concepts highlighted in the paper serve as an illustration of the significance that the image of the universe and the position of the Earth has for the history of civilization. By presenting the cultural dimension of cosmology, it opens a space for dialogue between different branches of scientific research, i.e. it contributes to the communication of philosophy and science. Equally important, by illuminating the folklore character of the narrative of the origin and history of the universe, a training ground is created for philosophers and theologians who, in their own ways, interpret the creation of everything around us. By drawing attention to authors such as Neil deGrasse Tyson, Lawrence Kraus, Stephen Hawking, Michio Kaku and others, as contemporary bards and narrators, the paper seeks to contribute to the understanding of popular cosmology as an expression of modern man's need for great stories, for narratives that transcend the spatial and temporal frames of one generation, and that is exactly what myths do.
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混沌与秩序:当代宇宙学与神话
本文给出了宇宙学的定义及其与神话的联系,并将当代理论作为一种适合人类学分析的世俗神话叙事呈现出来。本文致力于强调现代宇宙学的民俗特征,并指出大众宇宙学叙事作为一种包含文化、哲学甚至宗教相关元素的阅读的重要性。特别注意的是宇宙起源的神话,描述宇宙的状态之前的空间和时间的创造。人们把现代宇宙学和传统的宇宙论神话相提并论。最后,本文对通俗宇宙学作了一个简明的定义,并回顾了现代理论最重要的作者和普及者。本文的主要任务是提出一些基本概念,这些概念有助于全面理解我们在通俗叙事中遇到的当代宇宙学呈现的人类学特征。这种分析的目的是观察现代科学对于创造继承世俗世界观的世界哲学图景的意义的深度。通过将流行的宇宙论视为现代神话,本文提出了科学理论对当今文明意义的新维度。这种方法揭开了宇宙学严格的实证主义光环,并指出了它的人类学特征。文中强调的概念说明了宇宙的形象和地球的位置对文明史的重要性。它通过展现宇宙学的文化维度,为不同科学研究分支之间的对话开辟了空间,即有助于哲学与科学的交流。同样重要的是,通过阐明宇宙起源和历史叙事的民间传说特征,为哲学家和神学家创造了一个训练场,他们以自己的方式解释我们周围一切的创造。通过关注尼尔·德格拉斯·泰森、劳伦斯·克劳斯、斯蒂芬·霍金、加来道雄等当代吟游诗人和叙述者,本文试图促进对流行宇宙学的理解,将其视为现代人对伟大故事的需求,对超越一代人时空框架的叙事的需求,而这正是神话所做的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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自引率
50.00%
发文量
1
审稿时长
10 weeks
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