Mark Crosby, ed., “William Blake’s Manuscripts,” Huntington Library Quarterly 80.3 (autumn 2017)

Q3 Arts and Humanities Blake - An Illustrated Quarterly Pub Date : 2019-04-11 DOI:10.47761/biq.235
B. Graver
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Abstract

The autumn 2017 special issue of Huntington Library Quarterly, edited by Mark Crosby, is devoted to manuscript studies of the works of William Blake. Several of these studies were originally presented at a 2013 symposium at the Huntington Library, which, as Blake scholars know, houses one of the world’s finest Blake collections. Taken together, the essays demonstrate the variety of ways in which the close study of Blake’s manuscripts and prints can yield significant new discoveries about his engraving techniques, his working habits, and his influences. Or, as Crosby puts it in his introduction, “the eight essays … range in methodological approach from considering the materiality of Blake’s manuscripts to more conceptual concerns, with particular attention given to discussing the instability of long-term preservation” (363).
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马克·克罗斯比主编,《威廉·布莱克手稿》,亨廷顿图书馆季刊80.3(2017年秋季)
《亨廷顿图书馆季刊》2017年秋季特刊由马克·克罗斯比编辑,致力于威廉·布莱克作品的手稿研究。其中几项研究最初是在2013年亨廷顿图书馆的一次研讨会上发表的,布莱克学者知道,这里收藏着世界上最好的布莱克藏品之一。总的来说,这些文章展示了对布莱克手稿和版画的密切研究可以产生关于他的雕刻技术,他的工作习惯和他的影响的重要新发现的各种方式。或者,正如克罗斯比在他的引言中所说,“这八篇论文的方法论范围从考虑布莱克手稿的实质性到更多的概念性关注,特别注意讨论长期保存的不稳定性”(363)。
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Blake - An Illustrated Quarterly
Blake - An Illustrated Quarterly Arts and Humanities-Literature and Literary Theory
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期刊介绍: Blake/An Illustrated Quarterly was born as the Blake Newsletter on a mimeograph machine at the University of California, Berkeley in 1967. Edited by Morton D. Paley, the first issue ran to nine pages, was available for a yearly subscription rate of two dollars for four issues, and included the fateful words, "As far as editorial policy is concerned, I think the Newsletter should be just that—not an incipient journal." The production office of the Newsletter relocated to the University of New Mexico when Morris Eaves became co-editor in 1970, and then moved with him in 1986 to its present home at the University of Rochester.
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Cover and table of contents A Conversation with Helen Bruder Redefining Apocalypse in Blake Studies William Blake’s Annotations to Milton’s<br> <i>Paradise Lost</i>: New Evidence for Attribution William Blake’s “Introduction” to <i>Songs of Innocence</i>: The Role of the Pipe
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