{"title":"William Blake and His Circle: A Checklist of Scholarship in 2020","authors":"Wayne C. Ripley","doi":"10.47761/biq.286","DOIUrl":null,"url":null,"abstract":"This year, Vera Serdechnaia, who has collected and compiled sources in Russian and other Cyrillic languages, has kindly agreed to join the checklist team. As is evident below, there is much work being done on Blake in languages other than English, so I thank all my collaborators in helping make the annual checklist as comprehensive as possible. As always, the annotations to entries from their respective areas are theirs. If any reader is interested in covering scholarship in languages not detailed above, please contact me. While it may be a lagging indicator, Blake scholarship continued at a steady clip in 2020, despite the global pandemic. Exhibitions were, of course, the major exception, as discussed in this issue by Luisa Calè. William Blake at Tate Britain had the good fortune to wrap up just under the wire in February 2020, and I have recorded a substantial number of new reviews and notices to complement the hundred that appeared in 2019. (As was my practice last year, I have cross-listed only those reviews by established Blake scholars.)","PeriodicalId":39620,"journal":{"name":"Blake - An Illustrated Quarterly","volume":"18 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Blake - An Illustrated Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.47761/biq.286","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
This year, Vera Serdechnaia, who has collected and compiled sources in Russian and other Cyrillic languages, has kindly agreed to join the checklist team. As is evident below, there is much work being done on Blake in languages other than English, so I thank all my collaborators in helping make the annual checklist as comprehensive as possible. As always, the annotations to entries from their respective areas are theirs. If any reader is interested in covering scholarship in languages not detailed above, please contact me. While it may be a lagging indicator, Blake scholarship continued at a steady clip in 2020, despite the global pandemic. Exhibitions were, of course, the major exception, as discussed in this issue by Luisa Calè. William Blake at Tate Britain had the good fortune to wrap up just under the wire in February 2020, and I have recorded a substantial number of new reviews and notices to complement the hundred that appeared in 2019. (As was my practice last year, I have cross-listed only those reviews by established Blake scholars.)
期刊介绍：
Blake/An Illustrated Quarterly was born as the Blake Newsletter on a mimeograph machine at the University of California, Berkeley in 1967. Edited by Morton D. Paley, the first issue ran to nine pages, was available for a yearly subscription rate of two dollars for four issues, and included the fateful words, "As far as editorial policy is concerned, I think the Newsletter should be just that—not an incipient journal." The production office of the Newsletter relocated to the University of New Mexico when Morris Eaves became co-editor in 1970, and then moved with him in 1986 to its present home at the University of Rochester.
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