“What art thou man, (if man at all thou art)”: Spenser with Sylvia Wynter

Q1 Arts and Humanities Spenser Studies Pub Date : 2023-01-01 DOI:10.1086/722424
Kat Addis
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Abstract

This essay reaches toward thinking Spenser with Sylvia Wynter in two stages. In the first stage, I read Spenser’s use of the terms “inhumanitie” and “humanity” in The Faerie Queene in relation to Briana, Crudor, and the “salvage man.” Spenser’s use of these terms, I suggest, enacts and illustrates Wynter’s theory of the overrepresentation of Man as the human. In the second stage, thinking alongside Wynter’s emancipatory thrust toward, in David Scott’s terms, the “re-enchantment of humanism,” I reconsider what it might mean to be deposited on the edges of the poem’s allegorical scheme. If figures like the “bear-baby” and Gryll can be thought of as human but not on Man’s terms, they not only reveal the limits of Man’s imaginary but also demand an alternative poetry of the human.
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“你是什么人,(如果你是人的话)”——斯宾塞和西尔维娅·温特
本文分两个阶段对斯宾塞和西尔维娅·温特进行思考。在第一阶段,我读了斯宾塞在《仙后》中使用的“不人道”和“人道”这两个词,与布里安娜、克鲁多和“救难人”有关。我认为,斯宾塞对这些术语的使用,制定并说明了温特关于人作为人的过度代表的理论。在第二阶段,随着温特的解放推进,用大卫·斯科特的话说,“人文主义的重新魅力”,我重新考虑了这首诗的寓言计划的边缘可能意味着什么。如果“熊宝宝”和格里尔这样的人物可以被认为是人而不是人,那么它们不仅揭示了人的想象的局限性,而且要求人类的另一种诗歌。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Spenser Studies
Spenser Studies Arts and Humanities-Literature and Literary Theory
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