{"title":"Speculating about Spectatorship","authors":"J. Staiger","doi":"10.3167/proj.2020.140207","DOIUrl":null,"url":null,"abstract":"Todd Berliner’s Hollywood Aesthetic: Pleasure in American Cinema (2017) offers useful broad theoretical arguments about how to understand our pleasures in viewing cinema. Yet, moving to individual cases requires recognizing the historical conditions of spectatorship including contemporaneous ideological issues, levels and types of knowledges, and cooperation (or non-cooperation) by a spectator.","PeriodicalId":93495,"journal":{"name":"Projections (New York, N.Y.)","volume":"14 1","pages":"75-80"},"PeriodicalIF":0.5000,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Projections (New York, N.Y.)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3167/proj.2020.140207","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract
Todd Berliner’s Hollywood Aesthetic: Pleasure in American Cinema (2017) offers useful broad theoretical arguments about how to understand our pleasures in viewing cinema. Yet, moving to individual cases requires recognizing the historical conditions of spectatorship including contemporaneous ideological issues, levels and types of knowledges, and cooperation (or non-cooperation) by a spectator.
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