Collaborative performance during lockdown: combining devised drama with film concepts to present cyberdrama during the COVID lockdown in Australia

Linda Lorenza
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引用次数: 3

Abstract

ABSTRACT When face-to-face tuition was suspended due to COVID-19 health regulations, tertiary drama students engaged in devising and performing drama online. Inspired by Orson Welles’ radio play, ‘The War of the Worlds’, and working online with a film director, the students developed a three-episode livestream drama in response to the pandemic. Through the lens of Davis’ cyberdrama toolkit, this practitioner’s reflection relates the collaborative story development process in which the students devised, scripted and self-taped scenes for the three-episode livestream. The implications of this experience are that the eight-week project expanded the students’ understanding of performance and, increased their skillset to include ‘self-tape’ and manipulation of the audience perspective. The livestream reached a far larger audience than would have attended an onstage production at the regional campus. Enforced online learning during the pandemic has enlivened the way we perceive and teach drama.
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封锁期间的协同表演:将设计的戏剧与电影概念相结合,在澳大利亚COVID封锁期间呈现网络戏剧
在新冠肺炎疫情卫生法规暂停面授的情况下,戏剧院校的学生开始在网上设计和表演戏剧。受奥逊·威尔斯(Orson Welles)广播剧《世界大战》(The War of The Worlds)的启发,学生们与一位电影导演在网上合作,制作了一部三集的直播剧,以应对疫情。通过戴维斯的网络戏剧工具包,这位实践者的反思与学生们为三集直播设计、编写和录制场景的合作故事发展过程有关。这个为期八周的项目扩大了学生对表演的理解,提高了他们的技能,包括“自录”和操纵观众的视角。现场直播吸引的观众远远超过了在该地区校园参加舞台演出的观众。疫情期间强制实施的在线学习活跃了我们看待和教授戏剧的方式。
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