Collections without End

IF 0.3 0 ART Museum Worlds Pub Date : 2018-07-01 DOI:10.3167/armw.2018.060108
A. Witcomb, A. Patterson
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Abstract

The discovery of five photographs in 2018 in the State Library of Western Australia led us to the existence of a forgotten private museum housing the collection of Captain Matthew McVicker Smyth in early-twentieth-century Perth. Captain Smyth was responsible for the selling of Nobel explosives used in the agriculture and mining industries. The museum contained mineral specimens in cases alongside extensive, aesthetically organized displays of Australian Aboriginal artifacts amid a wide variety of ornaments and decorative paintings. The museum reflects a moment in the history of colonialism that reminds us today of forms of dispossession, of how Aboriginal people were categorized in Australia by Western worldviews, and of the ways that collectors operated. Our re-creation brings back into existence a significant Western Australian museum and opens up a new discussion about how such private collections came into existence and indeed, in this instance, about how they eventually end.
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没有结束的集合
2018年,在西澳大利亚国家图书馆发现了五张照片,这使我们发现了一个被遗忘的私人博物馆的存在,该博物馆收藏了20世纪初珀斯的马修·麦克维克·史密斯船长的藏品。史密斯上尉负责销售用于农业和采矿业的诺贝尔炸药。博物馆里有大量的矿物标本,在各种各样的装饰品和装饰画中,陈列着大量的、有美学组织的澳大利亚土著文物。博物馆反映了殖民主义历史上的一个时刻,提醒我们今天的剥夺形式、西方世界观对澳大利亚土著人的分类,以及收藏家的操作方式。我们的重新创作使西澳大利亚的一个重要博物馆重新存在,并开启了一个新的讨论,关于这些私人收藏是如何产生的,实际上,在这个例子中,关于它们最终是如何结束的。
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来源期刊
CiteScore
1.00
自引率
15.40%
发文量
0
审稿时长
16 weeks
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