{"title":"Collections without End","authors":"A. Witcomb, A. Patterson","doi":"10.3167/armw.2018.060108","DOIUrl":null,"url":null,"abstract":"The discovery of five photographs in 2018 in the State Library of Western\nAustralia led us to the existence of a forgotten private museum housing the collection\nof Captain Matthew McVicker Smyth in early-twentieth-century Perth. Captain Smyth\nwas responsible for the selling of Nobel explosives used in the agriculture and mining\nindustries. The museum contained mineral specimens in cases alongside extensive,\naesthetically organized displays of Australian Aboriginal artifacts amid a wide variety\nof ornaments and decorative paintings. The museum reflects a moment in the history of\ncolonialism that reminds us today of forms of dispossession, of how Aboriginal people\nwere categorized in Australia by Western worldviews, and of the ways that collectors\noperated. Our re-creation brings back into existence a significant Western Australian\nmuseum and opens up a new discussion about how such private collections came into\nexistence and indeed, in this instance, about how they eventually end.","PeriodicalId":40959,"journal":{"name":"Museum Worlds","volume":"85 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Museum Worlds","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3167/armw.2018.060108","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
The discovery of five photographs in 2018 in the State Library of Western
Australia led us to the existence of a forgotten private museum housing the collection
of Captain Matthew McVicker Smyth in early-twentieth-century Perth. Captain Smyth
was responsible for the selling of Nobel explosives used in the agriculture and mining
industries. The museum contained mineral specimens in cases alongside extensive,
aesthetically organized displays of Australian Aboriginal artifacts amid a wide variety
of ornaments and decorative paintings. The museum reflects a moment in the history of
colonialism that reminds us today of forms of dispossession, of how Aboriginal people
were categorized in Australia by Western worldviews, and of the ways that collectors
operated. Our re-creation brings back into existence a significant Western Australian
museum and opens up a new discussion about how such private collections came into
existence and indeed, in this instance, about how they eventually end.