A Story Without Architecture: The Mythical Origins of Mumbai

IF 0.5 0 ASIAN STUDIES South Asian Studies Pub Date : 2022-11-11 DOI:10.1080/02666030.2022.2137974
Pushkar Sohoni
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Abstract

Stories that explain the origins of cities are often memorialised in architectural or natural monuments. Often, these man-made or natural formations are created or imagined respectively, to suit a particular narrative. In the case of Mumbai, the story of the city goddess Mumbadevi is central to the early imagined history of the city. Her canonical story is a relatively late creation, representing a literary and religious solution in the absence of an architectural marker. The shrine dedicated to her today anchors the narrative of the foundation of the city, but historically was built around the same time as the Sanskrit telling of the foundation of the city. In the Mumbai-Mahatmya, several storytelling strategies are used to create a synthetic city-goddess, but the form of the narrative is the trope of the timeless epic. The narrative is more important than the architectural creation for the foundation of Mumbai, and supplants any physical vestige as the centre of the city, including the shrine of Mumbadevi. This article will demonstrate that the history of the city and the goddess are deeply intertwined, with strands of multiple narratives that combine elements which would otherwise seem incongruous, much like the architectural pastiche that is seen at the site of the goddess temple.
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一个没有建筑的故事:孟买的神话起源
解释城市起源的故事通常以建筑或自然纪念碑来纪念。通常,这些人造或自然的构造是分别创造或想象的,以适应特定的叙述。以孟买为例,城市女神孟买的故事是这座城市早期想象历史的核心。她的经典故事是一个相对较晚的创作,在缺乏建筑标志的情况下代表了文学和宗教的解决方案。今天,供奉她的神殿为这座城市的建立奠定了基础,但从历史上看,它是在梵文讲述这座城市建立的同时建造的。在《孟买-圣雄庙》中,几个讲故事的策略被用来创造一个合成的城市女神,但叙事的形式是永恒史诗的比喻。对于孟买的基础来说,叙事比建筑创作更重要,并取代了包括孟买神社在内的任何物理遗迹,成为城市的中心。这篇文章将展示这座城市和女神的历史是紧密交织在一起的,有多种叙述,结合了一些看起来不协调的元素,就像在女神神庙遗址上看到的建筑仿制品一样。
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来源期刊
South Asian Studies
South Asian Studies ASIAN STUDIES-
CiteScore
0.50
自引率
4.00%
发文量
0
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