Artistic Style Meets Artificial Intelligence

Suk Kyoung Choi, S. DiPaola, Hannu Töyrylä
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引用次数: 1

Abstract

Recent developments in neural network image processing motivate the question, how these technologies might better serve visual artists. Research goals to date have largely focused on either pastiche interpretations of what is framed as artistic “style” or seek to divulge heretofore unimaginable dimensions of algorithmic “latent space,” but have failed to address the process an artist might actually pursue, when engaged in the reflective act of developing an image from imagination and lived experience. The tools, in other words, are constituted in research demonstrations rather than as tools of creative expression. In this article, the authors explore the phenomenology of the creative environment afforded by artificially intelligent image transformation and generation, drawn from autoethnographic reviews of the authors’ individual approaches to artificial intelligence (AI) art. They offer a post-phenomenology of “neural media” such that visual artists may begin to work with AI technologies in ways that support naturalistic processes of thinking about and interacting with computationally mediated interactive creation.
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艺术风格遇上人工智能
神经网络图像处理的最新发展激发了这个问题,这些技术如何更好地为视觉艺术家服务。迄今为止的研究目标主要集中在对艺术“风格”的模仿解释上,或者试图揭示迄今为止难以想象的算法“潜在空间”的维度,但未能解决艺术家在从事从想象和生活经验中发展图像的反思行为时可能实际追求的过程。换句话说,这些工具是在研究演示中构成的,而不是作为创造性表达的工具。在本文中,作者从作者对人工智能(AI)艺术的个人方法的自我民族志评论中,探索了人工智能图像转换和生成所提供的创作环境的现象学。它们提供了一种“神经媒体”的后现象学,这样视觉艺术家就可以开始使用人工智能技术,以支持自然主义的思考过程,并与计算媒介的互动创作进行互动。
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