Alternative structural concepts for the Fusion Ignition Research Experiment (FIRE)

IF 0.3 1区 艺术学 0 MUSIC NINETEENTH CENTURY MUSIC Pub Date : 2002-11-07 DOI:10.1109/FUSION.2002.1027676
P. Titus
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引用次数: 3

Abstract

The baseline toroidal field coil system of the FIRE tokamak utilizes inertially cooled, copper alloy Bitter plate type magnets which are LN/sub 2/ cooled between shots. The TF configuration is wedged and uses C17510 high strength, high conductivity beryllium copper alloy which was developed for BPX in the inner leg, where the stress is highest. In FY 01, a slightly larger design was adopted (R=2.14 m. compared to the previous 2.0 m.)which affords better physics performance with lower TF field, and thus lower TF stresses. Bucked and wedged (B&W) TF designs have also been considered. The B&W design results in lower coil stresses in the inner leg that may be used to increase field or design margin, or alternatively could allow the use of high conductivity OFHC copper which would allow longer pulse lengths. B&W designs require good fit-up, and effects of fit-up uncertainties, friction factor variations, and methods of evaluating primary load paths are presented. The effects of the size change and possible changes in structural concept are summarized.
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聚变点火研究实验(FIRE)的备选结构概念
FIRE托卡马克的基线环形场线圈系统使用惯性冷却的铜合金苦板型磁体,在射击之间进行LN/sub / 2/冷却。TF结构是楔形的,使用C17510高强度,高导电性的铍铜合金,该合金是为BPX内腿开发的,应力最高。在fy01中,采用了稍大的设计(R=2.14 m,而之前的设计为2.0 m),在较小的TF场下具有更好的物理性能,从而降低了TF应力。buck和楔形(B&W) TF设计也被考虑过。B&W设计降低了内腿的线圈应力,可用于增加现场或设计余量,或者可以使用高导电性的OFHC铜,从而允许更长的脉冲长度。B&W设计需要良好的装配,装配不确定性的影响,摩擦系数的变化,以及评估主要载荷路径的方法。总结了尺寸变化的影响和结构概念可能发生的变化。
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CiteScore
0.40
自引率
0.00%
发文量
11
期刊介绍: 19th-Century Music covers all aspects of Western art music between the mid-eighteenth and mid-twentieth centuries. We welcome--in no particular order--considerations of composers and compositions, styles, performance, historical watersheds, cultural formations, critical methods, musical institutions, ideas, and topics not named on this list. Our aim is to publish contributions to ongoing conversations at the leading edge of musical and multidisciplinary scholarship.
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