"Against a Sharp White Background": Toward Race-Based Intersectional Research in Youth Media Studies

M. Kearney
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引用次数: 2

Abstract

W e set out on this In Focus section with the general intent of bringing together scholars working in contemporary youth media studies. This is our own background, as Louisa has written extensively on teen television shows and the youth fan cultures that surround them, and Tim has examined youth in American movies going back to early Hollywood. As we began considering established scholars in the fi eld to solicit for contributions, we soon found evidence of the increasing attention to youth concerns beyond traditional fi lm and television texts, as much recent scholarship has focused on children and young adults using and creating social media. This increased attention to youth digital cultures should not have been a surprise given the state of the academy and, more so, the preoccupations of young people today. The youth population is indeed spending less time watching TV and going to movies and more time doing something—anything—on the Internet. When they are watching fi lms and TV programs, they’re often consuming that media online and then transforming their media engagement into authorship in digital venues, creating fan art and fan fi ction, or off ering reviews and critiques through social media networks. Increasingly, youth media engagement is also becoming more mobile because, for a variety of
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“在鲜明的白色背景下”:青年媒体研究中基于种族的交叉研究
我们开设“焦点”部分的总体目的是将从事当代青年媒体研究的学者聚集在一起。这是我们自己的背景,因为路易莎写了大量关于青少年电视节目和围绕这些节目的青少年粉丝文化的文章,蒂姆研究了早期好莱坞时期美国电影中的年轻人。当我们开始考虑邀请该领域的知名学者发表文章时,我们很快发现,除了传统的电影和电视文本之外,人们越来越关注年轻人的问题,因为最近的许多学术研究都集中在儿童和年轻人使用和创建社交媒体上。考虑到学术界的现状,更重要的是,考虑到当今年轻人的关注点,对青年数字文化的关注日益增加不应令人感到意外。年轻人确实花更少的时间看电视和看电影,而花更多的时间在互联网上做任何事情。当他们在看电影和电视节目时,他们经常在网上消费这些媒体,然后将他们的媒体参与转化为数字场所的作者身份,创作粉丝艺术和粉丝小说,或者通过社交媒体网络发表评论和批评。越来越多地,年轻人的媒体参与也变得更加移动,因为,对于各种
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