{"title":"Women “Making History” in Museums","authors":"Bronwyn Labrum","doi":"10.3167/ARMW.2018.060107","DOIUrl":null,"url":null,"abstract":"This article examines three remarkable New Zealand women, Nancy Adams,\nRose Reynolds, and Edna Stephenson, who, as honorary or part-time staff, each began\nthe systematic collecting and display of colonial history at museums in Wellington,\nChristchurch, and Auckland in the 1950s. Noting how little research has been published\non women workers in museums, let alone women history curators, it offers an important\ncorrection to the usual story of the heroic, scientific endeavors of male museum\ndirectors and managers. Focusing largely on female interests in everyday domestic life,\ntextiles, and clothing, their activities conformed to contemporary gendered norms and\nmirrored women’s contemporary household role with its emphasis on housekeeping,\ndomestic interiors, and shopping and clothing. This article lays bare the often ad hoc\nprocess of “making history” in these museums, and adds complexity and a greater fluidity\nto the interpretations we have to date of women workers in postwar museums.","PeriodicalId":40959,"journal":{"name":"Museum Worlds","volume":"232 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Museum Worlds","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3167/ARMW.2018.060107","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
This article examines three remarkable New Zealand women, Nancy Adams,
Rose Reynolds, and Edna Stephenson, who, as honorary or part-time staff, each began
the systematic collecting and display of colonial history at museums in Wellington,
Christchurch, and Auckland in the 1950s. Noting how little research has been published
on women workers in museums, let alone women history curators, it offers an important
correction to the usual story of the heroic, scientific endeavors of male museum
directors and managers. Focusing largely on female interests in everyday domestic life,
textiles, and clothing, their activities conformed to contemporary gendered norms and
mirrored women’s contemporary household role with its emphasis on housekeeping,
domestic interiors, and shopping and clothing. This article lays bare the often ad hoc
process of “making history” in these museums, and adds complexity and a greater fluidity
to the interpretations we have to date of women workers in postwar museums.