Women “Making History” in Museums

IF 0.3 0 ART Museum Worlds Pub Date : 2018-07-01 DOI:10.3167/ARMW.2018.060107
Bronwyn Labrum
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Abstract

This article examines three remarkable New Zealand women, Nancy Adams, Rose Reynolds, and Edna Stephenson, who, as honorary or part-time staff, each began the systematic collecting and display of colonial history at museums in Wellington, Christchurch, and Auckland in the 1950s. Noting how little research has been published on women workers in museums, let alone women history curators, it offers an important correction to the usual story of the heroic, scientific endeavors of male museum directors and managers. Focusing largely on female interests in everyday domestic life, textiles, and clothing, their activities conformed to contemporary gendered norms and mirrored women’s contemporary household role with its emphasis on housekeeping, domestic interiors, and shopping and clothing. This article lays bare the often ad hoc process of “making history” in these museums, and adds complexity and a greater fluidity to the interpretations we have to date of women workers in postwar museums.
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女性在博物馆“创造历史”
本文考察了三位杰出的新西兰女性,南希·亚当斯、罗斯·雷诺兹和埃德娜·斯蒂芬森,她们作为荣誉或兼职工作人员,于20世纪50年代开始在惠灵顿、克赖斯特彻奇和奥克兰的博物馆系统地收集和展示殖民历史。注意到很少有关于博物馆女性工作人员的研究发表,更不用说女性历史策展人了,它为通常关于男性博物馆馆长和经理英勇的科学努力的故事提供了重要的纠正。她们的活动主要关注女性对日常家庭生活、纺织品和服装的兴趣,符合当时的性别规范,反映了女性在家务、室内装饰、购物和服装方面的当代家庭角色。这篇文章揭示了这些博物馆中“创造历史”的过程,并为我们迄今为止对战后博物馆女工的解释增加了复杂性和更大的流动性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.00
自引率
15.40%
发文量
0
审稿时长
16 weeks
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