"But You're Not at All like Bertha": Contemporary (Black) Trans Studies and Richard Wright's "Man of All Work"

IF 0.3 3区 文学 0 LITERATURE, AMERICAN MELUS Pub Date : 2021-09-27 DOI:10.1093/melus/mlab032
G. Foster
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Abstract

While transgender has served as a kind of umbrella term in recent years for cross-identifying subjects, I think the inclusivity of its appeal has made it quite unclear as to what the term might mean and for whom . . . . [W]e have hardly begun to recognize the forms of embodiment that fill out the category of transgenderism, and before we dismiss it as faddish [as some have done], we should know what kind of work it does, whom it describes, and whom it validates. Transgender proves to be an important term not to people who want to reside outside categories altogether but to people who want to place themselves in the way of particular forms of recognition. Transgender may in-deed be considered a term of relationality; it describes not simply an identity but a relation between people, within a community, or within intimate bonds. set: to historicize and contemporize lesbian and gay fiction, and provide a context in which to de-scribe the tradition of African-American gay and lesbian literature while setting the precedent of marrying the two. Cutting a swath from the canon of African-American literature gives a certain gloss to our writing as being part of the African-American literary tradition. (Introduction xxi-xxii;
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“但你一点也不像伯莎”:当代(黑人)跨性别研究与理查德·赖特的“无所不包的人”
近年来,跨性别者已经成为跨性别主体的一个总括性术语,我认为它的吸引力的包容性使得这个术语的含义和对谁来说非常不明确. . . .[W]我们几乎还没有开始认识到跨性别主义的具体体现形式,在我们(像一些人所做的那样)把它当作一种时尚而加以摒弃之前,我们应该知道它做的是什么样的工作,它描述的是谁,它认可的是谁。事实证明,跨性别是一个重要的术语,不是对那些想要完全置身于类别之外的人来说,而是对那些想要将自己置于特定形式的认可之中的人来说。变性人确实可以被认为是一种关系;它描述的不仅仅是一种身份,而是人与人之间、社区内或亲密关系中的一种关系。设定:将女同性恋和男同性恋小说历史化和当代化,并提供一个描述非裔美国男同性恋和女同性恋文学传统的背景,同时为两者的结合开创先例。从非裔美国文学的经典中划下一条线,给我们的作品增添了一定的光彩,使其成为非裔美国文学传统的一部分。(介绍xxi-xxii;
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来源期刊
MELUS
MELUS LITERATURE, AMERICAN-
CiteScore
0.40
自引率
50.00%
发文量
59
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