{"title":"The Verbivocovisual Revolution: Anti-Literature, Affect, Politics, and World Literature in Augusto de Campos","authors":"Adam Joseph Shellhorse","doi":"10.14321/crnewcentrevi.20.1.0147","DOIUrl":null,"url":null,"abstract":"AU G U S T O D E CA M P O S’S C R I T I C A L F O R T U N E H A S B E E N B U R D E N E D B Y A deep-seated uncertainty: is his poetry really poetry or does it constitute a sui generis antipoetry? Moreover, does his project ultimately articulate novel modalities of affect, perception, and language that contest Brazilian antidemocracy and what Carlo Galli has called “technology’s planetary domination” during the global electronic boom (2010, 112)? In short, can we reconceive Campos’s canny drive to stage the contemporary in his prototypes as a means to unsettle North/South world literature paradigms and contribute to global discourse? At a mega retrospective in 2016, Campos underscored fundamental aspects of his endeavor:","PeriodicalId":45935,"journal":{"name":"CR-THE NEW CENTENNIAL REVIEW","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2020-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"CR-THE NEW CENTENNIAL REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14321/crnewcentrevi.20.1.0147","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 1
Abstract
AU G U S T O D E CA M P O S’S C R I T I C A L F O R T U N E H A S B E E N B U R D E N E D B Y A deep-seated uncertainty: is his poetry really poetry or does it constitute a sui generis antipoetry? Moreover, does his project ultimately articulate novel modalities of affect, perception, and language that contest Brazilian antidemocracy and what Carlo Galli has called “technology’s planetary domination” during the global electronic boom (2010, 112)? In short, can we reconceive Campos’s canny drive to stage the contemporary in his prototypes as a means to unsettle North/South world literature paradigms and contribute to global discourse? At a mega retrospective in 2016, Campos underscored fundamental aspects of his endeavor:
期刊介绍：
The New Centennial Review is devoted to comparative studies of the Americas that suggest possibilities for a different future. Centennial Review is published three times a year under the editorship of Scott Michaelsen (Department of English, Michigan State University) and David E. Johnson (Department of Comparative Literature, SUNY at Buffalo). The journal recognizes that the language of the Americas is translation, and that questions of translation, dialogue, and border crossings (linguistic, cultural, national, and the like) are necessary for rethinking the foundations and limits of the Americas.
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