{"title":"The Domestic Politics of Disability in Octavia Butler's Kindred","authors":"T. Comer","doi":"10.1353/JNT.2018.0003","DOIUrl":null,"url":null,"abstract":"Octavia Butler died in late February of 2006 following a fall outside of her home, the house a MacArthur Foundation Genius Grant enabled her to purchase. This freak accident, a tragedy for anyone touched by her writing, serves as an appropriate reminder of many of Butler’s most significant themes. Like any death, hers foregrounds our mortality and by doing so also foregrounds our relation to others—an ethical connection that is so central to her writing. Butler wrote of division and violence; of the dichotomy between the self and the objective world, home and otherness; and of what could be gained and lost by decreasing the distance between others. In her 1993 novel Parable of the Sower, Butler writes of a young girl, locked behind neighborhood walls in an apocalyptic world, who is gifted, and cursed, with empathy; she can experience others’ pain, real or feigned (11). Lauren Olamina’s hyperempathy is a disability as it marks her out as other and interferes with her ability to easily navigate and succeed in a violently hierarchized world. Yet Lauren does succeed while retaining her empathic connection to the world. Lauren has a strong sense of her identity, yet fosters a connection to others at the same time. Here we have what appears to be a perfect ethical balance between assuring a certain level of personal singularity, without the violent hermeneutic assimilation of others. What more can we ask of any ethics? I demonstrate how in Butler’s Kindred disability amounts to a sort of","PeriodicalId":42787,"journal":{"name":"JNT-JOURNAL OF NARRATIVE THEORY","volume":"163 1","pages":"108 - 84"},"PeriodicalIF":0.1000,"publicationDate":"2018-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"JNT-JOURNAL OF NARRATIVE THEORY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/JNT.2018.0003","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 1
Abstract
Octavia Butler died in late February of 2006 following a fall outside of her home, the house a MacArthur Foundation Genius Grant enabled her to purchase. This freak accident, a tragedy for anyone touched by her writing, serves as an appropriate reminder of many of Butler’s most significant themes. Like any death, hers foregrounds our mortality and by doing so also foregrounds our relation to others—an ethical connection that is so central to her writing. Butler wrote of division and violence; of the dichotomy between the self and the objective world, home and otherness; and of what could be gained and lost by decreasing the distance between others. In her 1993 novel Parable of the Sower, Butler writes of a young girl, locked behind neighborhood walls in an apocalyptic world, who is gifted, and cursed, with empathy; she can experience others’ pain, real or feigned (11). Lauren Olamina’s hyperempathy is a disability as it marks her out as other and interferes with her ability to easily navigate and succeed in a violently hierarchized world. Yet Lauren does succeed while retaining her empathic connection to the world. Lauren has a strong sense of her identity, yet fosters a connection to others at the same time. Here we have what appears to be a perfect ethical balance between assuring a certain level of personal singularity, without the violent hermeneutic assimilation of others. What more can we ask of any ethics? I demonstrate how in Butler’s Kindred disability amounts to a sort of
奥克塔维亚·巴特勒于2006年2月底在她的房子外面摔倒后去世,这是麦克阿瑟基金会天才基金使她能够购买的房子。对于任何被她的作品打动的人来说,这一怪异的事故都是一场悲剧,它恰当地提醒了巴特勒许多最重要的主题。就像任何死亡一样,她的死亡凸显了我们的死亡,同时也凸显了我们与他人的关系——这是她作品的核心所在。巴特勒写的是分裂和暴力;自我和客观世界、家和他者之间的二分法;以及通过减少人与人之间的距离可以得到什么和失去什么。在她1993年的小说《播种者的寓言》(Parable of the Sower)中,巴特勒描写了一个年轻女孩,她被锁在社区的围墙后面,身处一个末日世界,她有天赋,也被诅咒,有同理心;她能体会别人的痛苦,无论是真实的还是假装的。劳伦·奥拉米纳(Lauren Olamina)的超同理心是一种残疾,因为它将她与他人区分开来,妨碍了她在一个暴力等级森严的世界中轻松导航并取得成功的能力。然而,劳伦在保持与世界的共情联系的同时,确实取得了成功。劳伦有很强的自我意识,但同时也培养了与他人的联系。在这里,我们看到了一种完美的道德平衡,既保证了一定程度的个人独特性,又没有对他人的暴力解释学同化。我们还能要求什么道德规范呢?我在巴特勒的《亲族》中展示了残疾是如何形成一种
期刊介绍:
Since its inception in 1971 as the Journal of Narrative Technique, JNT (now the Journal of Narrative Theory) has provided a forum for the theoretical exploration of narrative in all its forms. Building on this foundation, JNT publishes essays addressing the epistemological, global, historical, formal, and political dimensions of narrative from a variety of methodological and theoretical perspectives.