A Biosemiotic Reading of J.M.G. Le Clézio’s Fiction: (Re-) Envisioning the Complexity of Other-Than-Human Semiosis and Trans-Specific Communication

Q1 Arts and Humanities Green Letters Pub Date : 2022-10-02 DOI:10.1080/14688417.2023.2199017
Keith Moser
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Abstract

ABSTRACT Delving into biosemiotic and endosemiotic theory, this transdisciplinary analysis of Le Clézio’s fiction illustrates how the Franco-Mauritian author undermines the dichotomous thinking that pits the human semiotic agent against soulless automata whose sounds and gestures are nothing but the insignificant product of an internal machinery. Le Clézio takes aim at much of Western philosophy and traditional linguistic theory, which tend to undermine the importance of other-than-human semiosis entirely, in his call for a re-evaluation of the complexity of the signs that are endlessly being conceived, transmitted and interpreted by and between various species. Similar to the founding father of Biosemiotics Jakob von Uexküll, Le Clézio implores us to reinvigorate our dulled senses in the postmodern world in order to (re-) establish a sensorial connection to the ‘score of nature’, thereby enabling us to catch a glimpse of the billions of other biosemiosic threads in the web of life.
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J.M.G. Le clacimzio小说的生物符号学解读:(再)超越人类的符号学与跨特定交流的复杂性
通过对生物符号学和内符号学理论的深入研究,本文对这位法国-毛里求斯裔作家的小说进行了跨学科的分析,阐释了他是如何打破人类符号学主体与没有灵魂的自动机之间的二分法思维的,后者的声音和手势只不过是内部机器的微不足道的产物。Le clacimzio将矛头指向了西方哲学和传统语言学理论,这些理论倾向于完全破坏非人类符号学的重要性,他呼吁重新评估符号的复杂性,这些符号不断地被不同物种所构思、传播和解释。与生物符号学之父Jakob von uexk ll类似,Le clsamzio恳求我们在后现代世界中重新激活我们迟钝的感官,以便(重新)建立与“自然分数”的感官联系,从而使我们能够瞥见生命之网中数十亿其他生物符号学线索。
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来源期刊
Green Letters
Green Letters Arts and Humanities-Literature and Literary Theory
CiteScore
0.50
自引率
0.00%
发文量
38
期刊介绍: Green Letters: Studies in Ecocriticism explores the relationship between literary, artistic and popular culture and the various conceptions of the environment articulated by scientific ecology, philosophy, sociology and literary and cultural theory. We publish academic articles that seek to illuminate divergences and convergences among representations and rhetorics of nature – understood as potentially including wild, rural, urban and virtual spaces – within the context of global environmental crisis.
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