These silent mansions: a life in graveyards

Jennifer Walklate
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Abstract

and is lost. Who is ‘my silver warrior, who has not died, who will not die’? Who are these ‘skilful bird-flocks of witches’ called on in the hope that they will us – not, you observe, that we should be saved from them, for this is a very different world from ordinary Christianity. But the same mysterious quality survives even into the common Latin charms of the later middle ages, with their travelling angels, their three good brothers, their marble stones and bragotty worms. The little story, the historiola that empowers a charm, is already at one remove from the religion which inspired it; imagination has stepped in. We cannot say that Goibniu is the Iron Age smith-god, even if he turned out to have the same name, for continuity and identity are two quite different things. Philologically, Santa Claus is St Nicholas, but knowledge of the gentleman on the sleigh will not help us reconstruct the fourth-century bishop of Myra, because supernatural identities evolve over time, and it is so hard to reverse the process, and so easy to fool ourselves that we have succeeded. Irish charm-mongers, like their contemporaries among the storytellers, were confronted with traditional formulae and tags of verse from which they reconstructed the best narratives that they could. Icelandic scholars did the same when they tried to piece together old myths from the riddling verses of the skalds; so did the Arabs with the lost lore of Ad and Thamud; so did the Hebrews with their archaic verses embedded in the Pentateuch. It is the common destiny of any scholar who finds themselves stranded by the arrival of literacy on the further shore from an ancient oral culture. Thanks to John Carey’s research, we can now add something more to this picture: for some people, some of the time, invoking the old supernatural powers was not just a literary fantasy, but a real magical power. We do not know what they taught but we know that they taught it, these druids and charm-smiths and strong women. The clerical, textual world of the Early Middle Ages, which we have mistakenly taken for the reality, was only a small clearing in the forest of the oral. And if in Ireland, why not elsewhere?
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这些寂静的宅邸:墓地里的生活
然后就消失了。谁是“我的银色战士,谁没有死,谁也不会死”?这些“熟练的女巫群”是谁呢?他们被召唤来是希望他们能把我们解救出来——你看,不是希望我们能从他们手中被拯救出来,因为这是一个与普通基督教非常不同的世界。但是,这种神秘的气质甚至延续到中世纪后期常见的拉丁魅力中,包括旅行的天使、三个好兄弟、大理石和爱吹牛的蠕虫。小故事,赋予魅力的历史,已经远离了激发它的宗教;想象力介入了。我们不能说Goibniu就是铁器时代的铁匠之神,即使他的名字是相同的,因为连续性和同一性是完全不同的两回事。从语言学上讲,圣诞老人是圣尼古拉斯,但对雪橇上那位绅士的了解并不能帮助我们重建四世纪迈拉的主教,因为超自然的身份随着时间的推移而演变,很难逆转这个过程,很容易欺骗自己,以为我们已经成功了。爱尔兰的魅力贩子,就像他们同时代的讲故事的人一样,面对着传统的公式和诗歌标签,他们根据这些公式和标签重构了他们所能重构的最好的叙事。冰岛学者在试图从斯卡尔人的谜语诗中拼凑出古老的神话时也做了同样的事情;阿拉伯人也是如此,他们失去了对阿德和塔穆德的爱;希伯来人也是这样做的,他们的古老诗句嵌入了摩西五经。这是任何学者的共同命运,他们发现自己被古老的口头文化的彼岸的读写能力所困。多亏了约翰·凯里的研究,我们现在可以为这幅图景添加更多的东西:对于某些人,某些时候,调用古老的超自然力量不仅仅是一种文学幻想,而是一种真正的魔法力量。我们不知道他们教了什么,但我们知道他们教了,这些德鲁伊,魔匠和强壮的女人。中世纪早期的教士和文本世界,我们误以为是现实,只不过是口头森林中的一小块空地。如果在爱尔兰,为什么其他地方就不行呢?
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来源期刊
CiteScore
1.60
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0.00%
发文量
23
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