Jak (nie) pisać o Mikołaju Koperniku - refleksje na marginesie nowych biografii

Barbara Bienias
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Abstract

Two new biographies: Kopernik. Rewolucje (Warszawa 2022) by Wojciech Orliński and Mikołaj Kopernik. Nowe oblicze geniusza (Warszawa 2022) by Piotr Łopuszański, along with this year’s 550th anniversary of the astronomer’s birth, have triggered the reflection on how to write about Copernicus’s life and work. The article discusses popular and scientific biography as a genre and narrative model in the history of science and scrutinizes the criteria of “good biographical stories”. The work recalls examples of biographical writing on Renaissance thinkers (Leonardo da Vinci and Girolamo Cardano) and the techniques the authors used to humanize their protagonists for modern readers. The second part of the article focuses on analyzing the new Copernican biographies, noting the authors’ presence in the text, narrative strategies, and their attitude to sources and existing historiography. The final remarks concern the possibility of unifying the polyphonic discourse in Copernican studies and sharing new research with a wider audience.
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两本新传记:科普尼克。Rewolucje(华沙2022),作者:Wojciech Orliński和Mikołaj Kopernik。如今,《天才》(华沙2022)的作者彼得·Łopuszański,以及今年是这位天文学家诞辰550周年,引发了人们对如何写哥白尼的生活和工作的思考。本文探讨了科普传记作为科学史上的一种体裁和叙事模式,并对“优秀传记故事”的标准进行了考察。这部作品让人想起了文艺复兴时期思想家(列奥纳多·达·芬奇和吉罗拉莫·卡尔达诺)的传记作品,以及作者为现代读者赋予主人公人性化的技巧。文章的第二部分着重分析新哥白尼传记,指出作者在文本中的存在,叙述策略,以及他们对资料和现有史学的态度。最后的评论涉及统一哥白尼研究中的复调话语和与更广泛的受众分享新研究的可能性。
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