Virtue Signaling Through the Flames

IF 0.1 3区 艺术学 0 THEATER PAJ-A JOURNAL OF PERFORMANCE AND ART Pub Date : 2022-01-01 DOI:10.1162/pajj_a_00598
Dana Tanner-Kennedy
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引用次数: 0

Abstract

Brandishing obsessively millennial memes, some deliciously cheap theatrics, and a caustic Wildean wit, experimental theatre company Fake Friends’ Drama Desk-nominated Circle Jerk provided a delectable banquet of social critiques reminiscent of Charles Ludlam and the Ridiculous Theatrical Company. The performance exposes internet fakery, racism in white gay culture, and the sclerotic political discourse of our post-truth era wrapped in a whirlwind of theatre history references and bad wigs.
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美德通过火焰发出信号
实验戏剧公司Fake Friends’s Drama桌提名的Circle Jerk提供了一场令人愉快的社会批评盛宴,让人想起查尔斯·勒德拉姆(Charles Ludlam)和荒谬戏剧公司(Ridiculous Theatrical company),他们沉迷于千禧一代的表情包,一些美味的廉价戏剧,以及一种刻薄的威尔迪恩式智慧。这场演出揭露了网络造假、白人同性恋文化中的种族主义,以及我们这个后真相时代的僵化政治话语,这些话语笼罩在戏剧历史参考和糟糕假发的旋风之中。
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
44
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