{"title":"The Operational Loops of a Pandemic","authors":"T. D. Sampson, J. Parikka","doi":"10.1215/17432197-8797529","DOIUrl":null,"url":null,"abstract":"Abstract:This article analyzes the visual operations of contagions and their material aftereffects. Data visualizations and diagrams have played a key role in the visual culture of the contagion, and this article explores especially two recurring themes: curves and simulations. The article addresses the data diagrams that describe and predict, advise and control actions during the pandemic. The authors argue that these curves and simulations are also crucial epistemic and aesthetic occurrences that produce the long tale of the epidemic as it pertains to a variety of actions from policy making to affective responses. Furthermore, the text investigates the theme of the operational loop to help us grasp statistical curves and simulations as part of a multiscalar logic of the epidemic image and to discuss the temporal modalities of these various images and diagrams. The article also includes David Benqué's speculative diagrams of contagion loops that present an artistic response to the theoretical theme.","PeriodicalId":35197,"journal":{"name":"Cultural Politics","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"5","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cultural Politics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/17432197-8797529","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Social Sciences","Score":null,"Total":0}
引用次数: 5
Abstract
Abstract:This article analyzes the visual operations of contagions and their material aftereffects. Data visualizations and diagrams have played a key role in the visual culture of the contagion, and this article explores especially two recurring themes: curves and simulations. The article addresses the data diagrams that describe and predict, advise and control actions during the pandemic. The authors argue that these curves and simulations are also crucial epistemic and aesthetic occurrences that produce the long tale of the epidemic as it pertains to a variety of actions from policy making to affective responses. Furthermore, the text investigates the theme of the operational loop to help us grasp statistical curves and simulations as part of a multiscalar logic of the epidemic image and to discuss the temporal modalities of these various images and diagrams. The article also includes David Benqué's speculative diagrams of contagion loops that present an artistic response to the theoretical theme.
期刊介绍：
Cultural Politics is an international, refereed journal that explores the global character and effects of contemporary culture and politics. Cultural Politics explores precisely what is cultural about politics and what is political about culture. Publishing across the arts, humanities, and social sciences, the journal welcomes articles from different political positions, cultural approaches, and geographical locations. Cultural Politics publishes work that analyzes how cultural identities, agencies and actors, political issues and conflicts, and global media are linked, characterized, examined, and resolved. In so doing, the journal supports the innovative study of established, embryonic, marginalized, or unexplored regions of cultural politics. Cultural Politics, while embodying the interdisciplinary coverage and discursive critical spirit of contemporary cultural studies, emphasizes how cultural theories and practices intersect with and elucidate analyses of political power. The journal invites articles on representation and visual culture; modernism and postmodernism; media, film, and communications; popular and elite art forms; the politics of production and consumption; language; ethics and religion; desire and psychoanalysis; art and aesthetics; the culture industry; technologies; academics and the academy; cities, architecture, and the spatial; global capitalism; Marxism; value and ideology; the military, weaponry, and war; power, authority, and institutions; global governance and democracy; political parties and social movements; human rights; community and cosmopolitanism; transnational activism and change; the global public sphere; the body; identity and performance; heterosexual, transsexual, lesbian, and gay sexualities; race, blackness, whiteness, and ethnicity; the social inequalities of the global and the local; patriarchy, feminism, and gender studies; postcolonialism; and political activism.
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