The Influence of Chimú Metalworks on Inca Metalworks

M. Shah, Hannah Pelfrey, Jessica J Stephenson
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引用次数: 1

Abstract

One of the cornerstones of art history is the attribution of art work to an artist, culture or time period. Art historians perform this work through a number of methods, including an analysis of medium, provenance, and object history, with the goal of placing a work within a chronological sequence. However, art historical attribution becomes a challenge when studying lesser known cultures or cultures of the past whose art works have been removed from archaeological contexts without rigorous study. As a result, attributions and classifications are sometimes based on minimal information. Once published this information is often uncritically perpetuated. One such case is the metalwork that is typically attributed to the Inca when they are more likely the work of Chimú artists. Teasing out the complex relationship of Chimú art to Inca empire, and the impact of Spanish colonialism on the pre-colonial art historical record, is the topic of this article.
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艺术史的基石之一是艺术作品归属于艺术家、文化或时期。艺术史学家通过多种方法来完成这项工作,包括对媒介、来源和对象历史的分析,目的是将作品按时间顺序排列。然而,在研究鲜为人知的文化或过去的文化时,艺术史归属成为一个挑战,这些文化的艺术作品在没有严格研究的情况下从考古背景中被移除。因此,归因和分类有时是基于极少的信息。这些信息一旦发布,往往就会不加批判地延续下去。其中一个例子是金属制品,通常被认为是印加人的作品,但它们更有可能是Chimú艺术家的作品。梳理Chimú艺术与印加帝国的复杂关系,以及西班牙殖民主义对前殖民时期艺术历史记录的影响,是本文的主题。
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