The emergence of Japanese film festivals in the Asia-Pacific 1990-2018

IF 0.5 0 FILM, RADIO, TELEVISION Transnational Screens Pub Date : 2021-05-04 DOI:10.1080/25785273.2021.1954844
Teck Fann Goh
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引用次数: 1

Abstract

ABSTRACT This article traces the historical transformations of the Japanese film festivals (JFFs) in the Asia-Pacific, reflecting on the reasons behind their emergence and subsequent expansion. It identifies JFFs as cultural diplomacy film festivals due to the participation of the Japanese government in facilitating the events. By situating the analysis within the global, regional, national and local trends that gave rise to the JFF model, we can better understand the roles these festivals have played in the promotion of national cultures abroad since their inception. Drawing on archival materials, personal interviews with the festival organizers, and institutional documents, this essay will show that the developments of JFFs are influenced by several interconnected discourses including the proliferation of the film festival format globally, changes in Japanese cultural diplomacy, the globalization of Japanese popular culture, and soft power discourse in the region. In engaging with these forces, JFFs evolved from sporadic small-scale film screening events with limited international reach to institutionalized festivals characterized by their growing commercial approach and broader programs.
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1990-2018年日本电影节在亚太地区的兴起
本文追溯了日本电影节在亚太地区的历史变迁,反思了其产生和发展的原因。由于日本政府的参与,将jff定义为文化外交电影节。通过对产生JFF模式的全球、区域、国家和地方趋势的分析,我们可以更好地理解这些节日自成立以来在海外推广民族文化方面所发挥的作用。借助档案资料、对电影节组织者的个人采访和机构文件,本文将展示日本电影节的发展受到几个相互关联的话语的影响,包括全球电影节形式的扩散、日本文化外交的变化、日本流行文化的全球化以及该地区的软实力话语。在与这些力量的接触中,jff从零星的小规模电影放映活动演变为制度化的电影节,其国际影响力有限,其特点是其日益增长的商业方法和更广泛的项目。
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来源期刊
Transnational Screens
Transnational Screens Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.60
自引率
0.00%
发文量
23
期刊最新文献
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