{"title":"Power Play","authors":"K. Simmons","doi":"10.1163/15743012-02503005","DOIUrl":null,"url":null,"abstract":"\n This essay examines how the rhetoric of recovery and reclamation functions in scholarly projects that aim to switch traditional or historical narrative codes. After describing the discourse on “post-blackness” as an example of how prefixes serve as problematic stabilizers in academe, I will offer a few moments in recent popular commemorative culture – especially the events that recognized desegregation at the University of Alabama – as narrative sites where the limitations of recovery work become apparent.","PeriodicalId":100333,"journal":{"name":"Conversations in Religion & Theology","volume":"35 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Conversations in Religion & Theology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/15743012-02503005","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract
This essay examines how the rhetoric of recovery and reclamation functions in scholarly projects that aim to switch traditional or historical narrative codes. After describing the discourse on “post-blackness” as an example of how prefixes serve as problematic stabilizers in academe, I will offer a few moments in recent popular commemorative culture – especially the events that recognized desegregation at the University of Alabama – as narrative sites where the limitations of recovery work become apparent.
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