Appositions: The Future in Solarpunk and Post-Apocalyptic Fiction

IF 0.2 0 LITERARY THEORY & CRITICISM Text Matters-A Journal of Literature Theory and Culture Pub Date : 2022-11-24 DOI:10.18778/2083-2931.12.21
K. Więckowska
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Abstract

The essay discusses images of the future in solarpunk and post-apocalyptic fiction, focusing on their distinct approach to the narratives of progress, science, and individualism. The dystopian perspective of post-apocalyptic fiction is juxtaposed with the hopeful stance of solarpunk stories in order to outline the attempts to move beyond environmental pessimism and to imagine a liveable future. A reading of Cormac McCarthy’s The Road (2006), Erik M. Conway and Naomi Oreskes’s The Collapse of Western Civilization (2014), and Omar El Akkad’s American War (2017) provides an overview of early 21st-century dystopian motifs and visions, while the ideas and development of solarpunk fiction are discussed on the basis of three anthologies of short stories: Sunvault: Stories of Solarpunk and Ecospeculation (2017), Glass and Gardens: Solarpunk Summers (2018), and Multispecies Cities: Solarpunk Urban Futures (2021). The aim of the essay is to argue that apocalyptic and solarpunk fiction stand in a relationship of apposition to one another, representing dominant and emergent structures of feeling.
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对立:太阳能朋克和后启示录小说中的未来
本文讨论了太阳能朋克和后启示录小说中的未来形象,重点讨论了它们对进步、科学和个人主义叙事的独特方式。后世界末日小说的反乌托邦视角与太阳能朋克故事的充满希望的立场并列,以概述超越环境悲观主义和想象一个宜居未来的尝试。阅读科马克·麦卡锡的《道路》(2006)、埃里克·m·康威和娜奥米·奥雷斯克斯的《西方文明的崩溃》(2014)以及奥马尔·埃尔·阿卡德的《美国战争》(2017),可以概述21世纪早期的反乌托邦主题和愿景,而太阳能朋克小说的思想和发展是在三个短篇小说选集的基础上讨论的:太阳vault:太阳能朋克和生态猜测的故事(2017)、玻璃和花园:太阳能朋克的夏天(2018)和多物种城市。Solarpunk城市未来(2021)。这篇文章的目的是论证世界末日小说和太阳能朋克小说处于一种对立的关系中,代表着占主导地位的和新兴的情感结构。
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
0
审稿时长
23 weeks
期刊介绍: Text Matters: A Journal of Literature, Theory and Culture, based at the University of Łódź, is an international and interdisciplinary journal, which seeks to engage in contemporary debates in the humanities by inviting contributions from literary and cultural studies intersecting with literary theory, gender studies, history, philosophy, and religion. The journal focuses on textual realities, but contributions related to art, music, film and media studies addressing the text are also invited. Submissions in English should relate to the key issues delineated in calls for articles which will be placed on the website in advance. The journal also features reviews of recently published books, and interviews with writers and scholars eminent in the areas addressed in Text Matters. Responses to the articles are more than welcome so as to make the journal a forum of lively academic debate. Though Text Matters derives its identity from a particular region, central Poland in its geographic position between western and eastern Europe, its intercontinental advisory board of associate editors and internationally renowned scholars makes it possible to connect diverse interpretative perspectives stemming from culturally specific locations. Text Matters: A Journal of Literature, Theory and Culture is prepared by academics from the Institute of English Studies with considerable assistance from the Institute of Polish Studies and German Philology at the University of Łódź. The journal is printed by Łódź University Press with financial support from the Head of the Institute of English Studies. It is distributed electronically by Sciendo. Its digital version published by Sciendo is the version of record. Contributions to Text Matters are peer reviewed (double-blind review).
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