{"title":"Female representation in Netflix Global Original programming: A comparative analysis of 2019 drama series","authors":"Kristina Pietaryte, Ana Cristina Suzina","doi":"10.1177/17496020221141625","DOIUrl":null,"url":null,"abstract":"This article investigates the equality of female representation in 2019 Global Original Netflix drama series by identifying trends of female representation across 82 series sample, assessing the quality of female representation in the most watched 2019 drama series and comparing analysis across British, American and International series. Overall, female representation in 2019 Netflix drama series conforms the existing literature on television studies concluding that women are underrepresented on-screen and behind-the-scenes.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":null,"pages":null},"PeriodicalIF":0.9000,"publicationDate":"2022-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Studies in Television","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/17496020221141625","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 1
Abstract
This article investigates the equality of female representation in 2019 Global Original Netflix drama series by identifying trends of female representation across 82 series sample, assessing the quality of female representation in the most watched 2019 drama series and comparing analysis across British, American and International series. Overall, female representation in 2019 Netflix drama series conforms the existing literature on television studies concluding that women are underrepresented on-screen and behind-the-scenes.
期刊介绍：
Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.
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