Figures of Unwork and Ethics of Care: Between Knowing How to Live and Knowing How to Write

Q1 Social Sciences Cultural Politics Pub Date : 2021-07-01 DOI:10.1215/17432197-8947879
Valeria Graziano
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引用次数: 1

Abstract

Abstract:The hypothesis of a post-work society has provoked a newfound interest in the role of imagination in political thinking, made explicit by many authors who turned to the literary genres of utopian and sci-fi writing to sketch possible scenarios of a jobless future. This article proposes instead another mode of constructing political narratives, that of figuration. It reclaims three specific figures to demonstrate how it might be possible to build a public sphere of “unwork.” The first is Bazlen, a fictional character of a writer who never wrote; the second is the collective figure of African American “othermothers”; and finally the third is Amy, the girl who gave flesh to Carol Gilligan’s “ethics of care” proposition. Departing from these specific figures, the article tackles the problem of reimagining the labors (and pleasures) of social reproduction and creative action away from the work regime. It describes how processes of subjectivation sedimented in collective imaginary impact various modes of being together and naming social cooperation. The conclusions propose that the relationship between living labor and knowledge is a nexus that can escape the violence of capitalist relations only by understanding political action as a plural capacity of unwork.
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不工作的形象与关怀伦理:在懂得如何生活与懂得如何写作之间
摘要:后工作社会的假设引发了人们对想象力在政治思维中的作用的新兴趣,许多作家转向乌托邦和科幻小说等文学类型,描绘了失业未来的可能场景。本文提出了另一种建构政治叙事的模式,即形象叙事。它引用了三个具体的人物来展示如何可能建立一个“非工作”的公共领域。第一个是巴兹伦,一个虚构的人物,一个从未写过书的作家;二是非裔美国人“其他母亲”的集体形象;第三个是艾米,这个女孩让卡罗尔·吉利根的“关怀伦理”命题具体化了。从这些具体数字出发,本文解决了重新想象脱离工作制度的社会再生产和创造性活动的劳动(和乐趣)的问题。它描述了在集体想象中沉淀的主体化过程如何影响各种共同存在和命名社会合作的模式。结论提出,活劳动和知识之间的关系是一种纽带,只有通过将政治行动理解为不工作的多重能力,才能摆脱资本主义关系的暴力。
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来源期刊
Cultural Politics
Cultural Politics Social Sciences-Cultural Studies
CiteScore
1.20
自引率
0.00%
发文量
19
期刊介绍: Cultural Politics is an international, refereed journal that explores the global character and effects of contemporary culture and politics. Cultural Politics explores precisely what is cultural about politics and what is political about culture. Publishing across the arts, humanities, and social sciences, the journal welcomes articles from different political positions, cultural approaches, and geographical locations. Cultural Politics publishes work that analyzes how cultural identities, agencies and actors, political issues and conflicts, and global media are linked, characterized, examined, and resolved. In so doing, the journal supports the innovative study of established, embryonic, marginalized, or unexplored regions of cultural politics. Cultural Politics, while embodying the interdisciplinary coverage and discursive critical spirit of contemporary cultural studies, emphasizes how cultural theories and practices intersect with and elucidate analyses of political power. The journal invites articles on representation and visual culture; modernism and postmodernism; media, film, and communications; popular and elite art forms; the politics of production and consumption; language; ethics and religion; desire and psychoanalysis; art and aesthetics; the culture industry; technologies; academics and the academy; cities, architecture, and the spatial; global capitalism; Marxism; value and ideology; the military, weaponry, and war; power, authority, and institutions; global governance and democracy; political parties and social movements; human rights; community and cosmopolitanism; transnational activism and change; the global public sphere; the body; identity and performance; heterosexual, transsexual, lesbian, and gay sexualities; race, blackness, whiteness, and ethnicity; the social inequalities of the global and the local; patriarchy, feminism, and gender studies; postcolonialism; and political activism.
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