(Skin)Aesthetics (First Manifesto)

IF 0.3 3区 艺术学 0 THEATER Studies in Theatre and Performance Pub Date : 2021-05-03 DOI:10.1080/14682761.2021.1912489
Freya Verlander
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引用次数: 1

Abstract

ABSTRACT '(Skin)Aesthetics (First Manifesto)' offers an introduction to my new performance theory and method of performance analysis: ‘(skin)aesthetics’. In the spirit of a manifesto, I outline the theoretical development of (skin)aesthetics as an approach and its objectives. (Skin)aesthetics focusses on the spectator’s skin as an active and reciprocal site of engagement in the performance environment. It considers the way that other materials, and senses, represent or emulate the skin and the tactile sense, as well as investigating how the spectator’s skin-based experience might be manipulated to communicate meaning in performance environments. It asks how spectators might be drawn into empathetic relation with others through such skin-based experiences.
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(皮肤)美学(第一宣言)
“(皮肤)美学(第一宣言)”介绍了我的新表演理论和表演分析方法:“(皮肤)美学”。本着宣言的精神,我概述了(皮肤)美学作为一种方法和目标的理论发展。(皮肤)美学关注观众的皮肤,将其作为表演环境中一个积极和互惠的参与场所。它考虑了其他材料和感官代表或模仿皮肤和触觉的方式,以及调查观众基于皮肤的体验如何在表演环境中被操纵来传达意义。它询问观众如何通过这种基于皮肤的体验与他人建立移情关系。
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来源期刊
CiteScore
0.60
自引率
33.30%
发文量
11
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