Samuel Beckett and the Impasses of Sexuation in How It Is

IF 0.3 N/A LITERARY THEORY & CRITICISM Samuel Beckett Today/Aujourd''hui Pub Date : 2022-04-25 DOI:10.1163/18757405-03401009
Llewellyn Brown
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引用次数: 0

Abstract

The confusion of sexual identities in How It Is testifies to the collapsing of the imaginary register that situates male and female as distinct and complementary in society. The body as a specular whole thus gives way to a relationship to language, where the universal ‘phallic’ register inscribes irreducible feminine alterity. The tormentor/tormented couplings, as well as the serial expansion of crawlers compose fictional attempts revealing a fundamental failure to institute sexual complementarity. The sexual is thus shown to reside within speech itself, pointing to the text’s very engendering. The impossible “sexual rapport” is thus the source of creation.
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塞缪尔·贝克特和《现实是怎样的》中的性僵局
《如何是这样》中性别身份的混乱证明了将男性和女性置于社会中截然不同和互补的想象范围的崩溃。作为一个镜面整体的身体因此让位给了一种与语言的关系,在这种关系中,普遍的“阳具”登记着不可简化的女性另类。折磨者/被折磨者的结合,以及爬行者的系列扩张构成了虚构的尝试,揭示了建立性互补的根本失败。因此,性存在于言语本身,指出了文本的性别。因此,不可能的“性和谐”是创造的源泉。
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CiteScore
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0.00%
发文量
22
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Beckett’s Prose Fiction and Waiting for Godot En attendant… l’innommable Reimagining Godot The Good-for-Nothing En attendant Godot (1952) de Samuel Beckett et Gerry (2002) de Gus Van Sant au prisme de Gilles Deleuze
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