{"title":"The Impact of the First World War and the Polish-Soviet War on the ‘Culture of Suffering’ in Post-1914 Polish Fiction","authors":"K. Zechenter","doi":"10.1080/14790963.2019.1709019","DOIUrl":null,"url":null,"abstract":"ABSTRACT Using Jeffrey C. Alexander’s theory of cultural trauma, this article focuses on the three major types of narratives of suffering which appeared in Polish fiction, after Poland regained political independence in 1918, outside the strong myth-creating narrative of the Polish Legions’ role in the war for independence. It argues that Polish post-1918 fiction developed these three major paths in the face of suffering inflicted on Polish lands, during WWI and Polish-Soviet War. These paths were to: 1) continue the narrative of Polish suffering within the framework of heroic, and selfless, sacrifice for Poland that has been well established since Romanticism; 2) present suffering as the universal fate of humanity outside the notion of national identity, due to the monstrosity of modern bureaucratic systems wherein human beings are treated as objects; and 3) present suffering as the result of modern warfare, but told outside of “patriotic phraseology” – thus suggesting a growing need as to finding a solution to national conflicts outside narrowly defined identities.","PeriodicalId":41396,"journal":{"name":"Central Europe","volume":"17 1","pages":"109 - 93"},"PeriodicalIF":0.3000,"publicationDate":"2019-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Central Europe","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14790963.2019.1709019","RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT Using Jeffrey C. Alexander’s theory of cultural trauma, this article focuses on the three major types of narratives of suffering which appeared in Polish fiction, after Poland regained political independence in 1918, outside the strong myth-creating narrative of the Polish Legions’ role in the war for independence. It argues that Polish post-1918 fiction developed these three major paths in the face of suffering inflicted on Polish lands, during WWI and Polish-Soviet War. These paths were to: 1) continue the narrative of Polish suffering within the framework of heroic, and selfless, sacrifice for Poland that has been well established since Romanticism; 2) present suffering as the universal fate of humanity outside the notion of national identity, due to the monstrosity of modern bureaucratic systems wherein human beings are treated as objects; and 3) present suffering as the result of modern warfare, but told outside of “patriotic phraseology” – thus suggesting a growing need as to finding a solution to national conflicts outside narrowly defined identities.
期刊介绍:
Central Europe publishes original research articles on the history, languages, literature, political culture, music, arts and society of those lands once part of the Habsburg Monarchy and Poland-Lithuania from the Middle Ages to the present. It also publishes discussion papers, marginalia, book, archive, exhibition, music and film reviews. Central Europe has been established as a refereed journal to foster the worldwide study of the area and to provide a forum for the academic discussion of Central European life and institutions. From time to time an issue will be devoted to a particular theme, based on a selection of papers presented at an international conference or seminar series.