1968 and global cinema

IF 0.5 0 FILM, RADIO, TELEVISION Transnational Screens Pub Date : 2021-01-02 DOI:10.1080/25785273.2021.1889096
P. Patra
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引用次数: 0

Abstract

has increased significantly with a proliferation of publications, conferences, and scholarly groups. Many articles and books focus on one national cinema (e.g. China, Australia, Japan, Finland, Mexico) interrogating global connections and influence. Other works offer overviews of this emerging disciplinary field. An important addition to transnational cinema scholarship, Costanzo’s When the World Laughs is the first to focus on Film Comedy East and West. Rich with provocative ideas for comparisons and contrasts among countries and regions, it is a rewarding place to begin, expanding this field of inquiry and inviting constructive engagement.
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1968年和全球电影
随着出版物、会议和学术团体的激增而显著增加。许多文章和书籍聚焦于一个国家的电影(如中国、澳大利亚、日本、芬兰、墨西哥),探讨全球联系和影响。其他作品提供了这一新兴学科领域的概述。作为对跨国电影研究的重要补充,科斯坦佐的《当世界笑起来》是第一本关注东西方电影喜剧的书。这本书充满了对国家和地区之间的比较和对比的挑衅性观点,是一个有益的起点,它扩展了这一探索领域,并邀请了建设性的参与。
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来源期刊
Transnational Screens
Transnational Screens Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.60
自引率
0.00%
发文量
23
期刊最新文献
The recent Sino-Danish film co-productions: soft power and transnational talent development The role of Sino-Arab film collaboration on cultural diplomacy during the ‘Seventeen Years’ Sino-international film collaboration and co-production: policy and practice Jeffrey Lau’s journey to the mainland: strategic hybridization in Hong Kong-mainland film co-production Science fiction cinema in the twenty-first century: transnational futures, cosmopolitan concerns Science fiction cinema in the twenty-first century: transnational futures, cosmopolitan concerns , Pablo Gómez-Muñoz, Abingdon, Routledge, 2023, xi, 1–181 pp., Paperback, £37.99, ISBN 978–0–367–75906–3
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