Grief Becomes Her: Fashion Connections in Daemon & Saudade

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY International Journal of Fashion Studies Pub Date : 2019-01-01 DOI:10.38055/fs020201
Colleen Schindler-Lynch
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Abstract

This essay will present a portion of a body of artwork entitled Daemon & Saudade that was exhibited at the Art Gallery of Northumberland in Cobourg, Ontario from November 15th, 2018, through January 13th, 2019. Photography, fashion, textiles, and jewellery were used in the creation of this interdisciplinary work to explore stories of grief, loss, and the careful crafting of identity. Images and wearable sculptures document time, emotion, and circumstance as they convey personal narratives derived from journaling and sketching. Acrylic and ceramic mourning jewellery show the physical embodiment and beautification of emotion through embellished personal tokens that forever link fashion and grief. The work in Daemon & Saudade demonstrates a role that fashion plays in articulating identity, allowing us to choose what we reveal or conceal and even to mask the experiences and emotions of our daily lives to those closest to us. Collectively, it captures and preserves the marks left on us by the experiences we live. Whether it is the loss of a loved one or a relationship, grief is a condition, a state, an emotion, and a process we all share.
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悲伤变成了她:戴蒙和萨德的时尚联系
本文将介绍2018年11月15日至2019年1月13日在安大略省科堡诺森伯兰美术馆展出的一组名为Daemon & Saudade的艺术品的一部分。摄影、时尚、纺织品和珠宝被用于创作这个跨学科的作品,以探索悲伤、失去和仔细制作身份的故事。图像和可穿戴的雕塑记录了时间、情感和环境,因为它们传达了来自日记和素描的个人叙述。亚克力和陶瓷丧饰通过点缀的个人信物,将时尚和悲伤永远联系在一起,展现情感的物理体现和美化。Daemon & Saudade的作品展示了时尚在表达身份方面所起的作用,让我们可以选择展示或隐藏什么,甚至向我们最亲近的人掩盖我们日常生活中的经历和情感。总的来说,它捕捉并保存了我们生活经历在我们身上留下的印记。无论是失去所爱的人还是一段感情,悲伤都是一种状况、一种状态、一种情感和一个我们都共有的过程。
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来源期刊
International Journal of Fashion Studies
International Journal of Fashion Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.90
自引率
25.00%
发文量
25
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