Resettlers and Survivors: Bukovina and the Politics of Belonging in West Germany and Israel, 1945–1989 by Gaëlle Fisher (review)

Jannis Panagiotidis
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Abstract

A. B. Yehoshua, who passed away recently, was one of the pillars of Israeli literature, and his death marks the end of a generation of authors, among them Amos Oz, who, each in his own way, took the role of “the watchman over the house of Israel,” by contemplating and often criticizing, in their works and in their political and cultural activity, the “Israeli condition.” This integrative volume presents a finegrained analysis of Yehoshua’s stance as a writer who targets historical and cultural dilemmas in Jewish and Israeli existence. It shows that although Yehoshua’s work as a whole is heterogenic—it ranges from short stories to novellas and novels, from nonrealistic to realistic, from first person to third person to polyphonic strategies, and from historical novels to contemporary settings—there is a deepseated unity as though all of Yehoshua’s narratives had been coded in the same way.
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《再定居者和幸存者:布科维纳与西德和以色列的归属政治,1945-1989》Gaëlle Fisher著
最近去世的a·b·约书亚(a . B. Yehoshua)是以色列文学的支柱之一,他的去世标志着一代作家的终结,其中包括阿莫斯·奥兹(Amos Oz),他们各自以自己的方式扮演了“以色列家的守望者”的角色,在他们的作品以及政治和文化活动中,思考并经常批评“以色列的状况”。这综合卷提出了一个细致的分析约书亚的立场作为一个作家谁的目标历史和文化困境,在犹太人和以色列的存在。这表明,虽然约书亚的作品整体上是异质的——从短篇小说到中篇小说和长篇小说,从非现实主义到现实主义,从第一人称到第三人称到复调策略,从历史小说到当代背景——但有一个根深蒂固的统一,似乎约书亚的所有叙事都以同样的方式编码。
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